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Eyes as Big as Plates is an ongoing collaborative photography and sculpture project by Norwegian-Finnish artist duo Karoline Hjorth and Riitta Ikonen (both born 1980). Initially a play on characters from Nordic folklore, the series has evolved into a search for the human connection to nature. Hjorth & Ikonen work together throughout the process with their complementary skills (Karoline is the photographer in the duo, while Riitta works mainly with the creation of the wearable sculptures). Since 2011 the duo has collaborated with retired farmers, fishermen, zoologists, plumbers, opera singers, housewives, artists and academics. Each character inhabits the landscape in a wearable sculpture made from natural materials. The book features portraits, field notes, essays and behind-the-scenes stories from many of the project's 60 shoots. With international press coverage in the Huffington Post, the BBC, TIME LightBox, Life and elsewhere, plus a highly successful Kickstarter campaign attracting a large American audience, the series has developed into a project with universal appeal.
Positioned somewhere between documentary and art photography, Want More is a stark and hard-hitting portrayal of twenty-first-century capitalism in action. In a series of arresting, atmospheric and beautiful black-and-white images, London-based photographer Alex Schneideman captures the alienating, numbing and denaturing effects of mass consumerism by photographing shoppers in stores, at the mall and on the street. Despite the instant beauty of each frame, tedium, misery, anxiety, frustration and occasional anger seem to be the dominant emotions experienced by these subjects - most of whom are unaware of the photographer's lens - as they appear ground down by their duty as drone-like consume...
Today's digital cameras provide image data files allowing large-format output at high resolution. At the same time, printing technology has moved forward at an equally fast pace bringing us new inkjet systems capable of printing in high precision at a very fine resolution, providing an amazing tonality range and longtime stability of inks. Moreover, these systems are now affordable to the serious photographer. In the hands of knowledgeable and experienced photographers, these new inkjet printers can help create prints comparable to the highest quality darkroom prints on photographic paper. This book provides the necessary foundation for fine art printing: The understanding of color management, profiling, paper and inks. It demonstrates how to set up the printing workflow as it guides the reader step-by-step through this process from an image file to an outstanding fine art print.
British artist and designer Stuart Haygarth gathers discarded or overlooked objects and elevates them into art. He makes designs and installations out of common detritus and everyday waste. Yet his work is as much about the process of collecting and collating materials as it is the creation of value or beauty. For 'Strand' he walked the entire length of the English south coast, from Gravesend to Land's End, picking up hundreds of man-made items left washed up on the shore.
For use in schools and libraries only. A world bestseller for over four decades presents the history of art as a single unfolding narrative, "a living chain that still links our own time with the Pyramid age.
The fully updated, paperback edition of 2014 s acclaimed Street Art, Fine Art presents a collection of classic works of fine art by the old masters reinterpreted by today s most cutting-edge street artists, including new works exclusive to the paperback edition byFaith47, RUN, Walter Kershaw and an artistic collaboration by Pure Evil, Agent Provocateur and Inkie.
A major publication on the radical and political work of one of Britain's most celebrated living figurative artists. Born in Lisbon in 1935, Dame Paula Rego DBE left Portugal as a teenager to study in London, which has been her principal home for more than sixty years. She is celebrated for bold and intense paintings, drawings and prints that intertwine the private and the public, the intimate and the political, combining autobiographical elements with stories from literature, folklore and mythology, references to earlier art, and observations on the contemporary world. She uses arresting imagery and dark symbolism to create unsettling narrative tableaux that challenge the established order ...
Marking the 150th anniversary of the birth of London Underground, the first ever subterranean railway, The Roundel presents the company's famous logo rethought and refashioned by one hundred international artists. Artists as diverse as Jeremy Deller, Sir Peter Blake, Roger Hiorns, Cornelia Parker, Yinka Shonibare, Gavin Turk, Susan Hiller and Richard Wentworth offer their personal take on the familiar motif, in photography or paint, drawing or print, collage or sculpture, revealing in their own words what inspired their creation. They follow in the footsteps of the many influential artists over the years, from Man Ray to Eduardo Paolozzi, who have taken the Roundel as a subject for their art, reflecting London's importance as a capital city of culture. With an introductory essay by design writer Jonathan Glancey and illuminating texts that consider the works within the broader history of transport design and public art, this gem of a book will delight all lovers of London and transport fanatics, as well as those who follow the latest trends in art, design and corporate branding.
This book tells the story of the first permanent artwork, Diamonds and Circles, in the UK by the renowned artist Daniel Buren (born 1938), widely considered France's greatest living artist and one of the most significant contributors to the conceptual art movement. Commissioned by Art on the 'Underground', Buren has created a new permanent installation at Tottenham Court Road station in the center of London, famously the location of extensive 1980s mosaics by Eduardo Paolozzi. The artwork, which is set to be completed in late 2016, will become a major feature of the two new entrances and ticket hall of the redesigned station. A conversation between Buren and Tim Marlow walk the reader through the Tottenham Court Road installation and discuss it alongside his other public transport works, while a text by Hans Ulrich Obrist places the work in the context of Buren's wider practice since the 1960s. More than a rare monograph in English on one of the most influential international artists of recent decades, this volume also takes the reader on the fascinating journey from initial artistic concept through to realized physical form in the public realm.
The story of Fahrelnissa Zeid's (1901-91) life is truly like no other. A Turkish noblewoman by birth and Iraqi princess by marriage, she was the first female artist to have a solo exhibition at London's prestigious Institute of Contemporary Arts. Friend and relative of kings, queens, and statesmen, and busy wife of an ambassador, she was also a leading figure of Turkish modernism in the 1940s and a prominent member of the avant-garde in postwar Paris, praised by fellow artists and critics alike. Despite her privileged background, she fought personal tragedy, psychological turmoil, and social and artistic prejudice to chart a unique and innovative path all of her own. She became celebrated in...