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Private Collecting, Exhibitions, and the Shaping of Art History in London
This book presents the history of a gentlemen’s club in London that was founded in 1866 for the purpose of exhibiting private art collections. It takes the main exhibition themes as a starting point to explore approaches to art, connoisseurship and display in a unique setting.
Edward Bawden's London
Draws together the best of Bawden's pieces of work.
Austerity to Affluence
Ill. on lining papers.
The Life and Works of Thomas Bewick Being an Account of His Career and Achievements in Art, with a Notice of the Works of John Bewick
Reprint of the original, first published in 1882.
Women, Art, and Society
"This expanded edition is brought up to date in the light of the most recent developments in contemporary art. A new chapter considers globalization in the visual arts and the complex issues it raises, focusing on the many major international exhibitions since 1990 that have become an important arena for women artists from around the world."--BOOK JACKET.
Collective Creativity
Collective Creativity offers an analysis of the explosion of artistic creativity currently taking place on the South Pacific island of Rarotonga. By exploring the construction of this art-world through the ways in which creativity and innovation are linked to social structures and social networks, this book investigates the social aspects of making fine art in order to present a ’collective’ theory of creativity. With a close examination of tourism, galleries and, of course, the artists themselves, Katherine Giuffre presents a detailed picture of a complex and multi-faceted community through the words of the art-world participants themselves. Theoretically sophisticated, yet grounded with rich empirical data, this book will appeal not only to anthropologists with an interest in the South Pacific, but also to scholars concerned with questions of ethnicity, creativity, globalization and network analysis.
Monica Ross
British artist Monica Ross (19502013), a pivotal artist in the 1980s feminist movement, left behind a 40-year body of pioneering and socially engaged performance-driven artwork. Her timeless pieces continue to have a deep effect on contemporary artists and society today. Presented for the first time is this extensively illustrated document of Rosss works from 1970 to 2013 including Rosss early feminist collaborative works, drawings made at the Greenham Common Womens Peace Camp in the 1980s, poster designs for the antinuclear movement, works relating to the writings of Walter Benjamin, and documentation from the sixty performances of Anniversaryan act of memory (200813), solo, collective and multilingual recitations from memory of the Universal Declaration of Human Rights, which concluded with a final collaborative performance at the UN in Geneva on the day of Rosss death. Informative essays by Jorn Ebner, Esther Leslie, Eric Levi Jacobson, Alexandra M. Kokoli, Denise Robinson,Monica Ross and Yve Lomax along with extensive archival documentation by Bernard G. Mills.
