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Back Talk from Appalachia
Appalachia has long been stereotyped as a region of feuds, moonshine stills, mine wars, environmental destruction, joblessness, and hopelessness. Robert Schenkkan's 1992 Pulitzer-Prize winning play The Kentucky Cycle once again adopted these stereotypes, recasting the American myth as a story of repeated failure and poverty—the failure of the American spirit and the poverty of the American soul. Dismayed by national critics' lack of attention to the negative depictions of mountain people in the play, a group of Appalachian scholars rallied against the stereotypical representations of the region's people. In Back Talk from Appalachia, these writers talk back to the American mainstream, conf...
The Politics and Poetics of Contemporary English Tragedy
The Politics and Poetics of Contemporary English Tragedy is a detailed study of the idea of the tragic in the political plays of David Hare, Howard Barker, Edward Bond, Caryl Churchill, Mark Ravenhill, Sarah Kane, and Jez Butterworth. Through an in-depth analysis of over sixty of their works, Sean Carney argues that their dramatic exploration of tragic experience is an integral part of their ongoing politics. This approach allows for a comprehensive rather than selective study of both the politics and poetics of their work. Carney's attention to the tragic enables him to find a common discourse among the canonical English playwrights of an older generation and representatives of the nineties generation, challenging the idea that there is a sharp generational break between these groups. Finally, Carney demonstrates that tragic experience is often denied by the social discourse of Englishness, and that these playwrights make a crucial critical intervention by dramatizing the tragic.
Literature in the Public Service
How can one make state administrative systems interesting, embody an abstract public ethos and give heroism to homogeneity? The discipline of literature and bureaucracy dismisses Weber's 'neurocrat'. Milton, Trollope and Hare are case studies on implementing the 'what if' visions literature explored during a period of great change in public service
A Companion to Modern British and Irish Drama, 1880 - 2005
This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity. An authoritative guide to modern British and Irish drama. Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism. Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.
A Handbook to Appalachia
A Handbook to Appalachia provides a clear, concise first step toward understanding the expanding field of Appalachian studies, from the history of the area to its sometimes conflicted image, from its music and folklore to its outstanding literature. Also includes information on African Americans, Asheville, (North Carolina), ballads, baskets, bluegrass music, blues music, Cherokee Indians, Cincinnati (Ohio), Churches, Civil War, coal, cultural diversity, death, folk culture, food, Georgia, health, immigration, industry, Irish, Kentucky, Midwest, migration, Melungeons, Native Americans, North Carolina, out-migration, politics, population, poverty, Radford University, schools, Scotch-Irish, Scotland, South Carolina, storytelling, strip mining, Tennessee, Ulster Scots, Virginia, West Virginia, Women, etc.
American Culture Transformed
The bombing of the Twin Towers in New York on September 11, 2001, marked a major turning point in modern American culture. Authors Bruce Tucker and Priscilla L. Walton examine critical moments in the aftermath of 9/11 arguing that commentators abandoned complexity, seeking to reduce events to their simplest signification.
Howard Barker's Theatre of Seduction
Study of the British playwright, Howard Barker which arose from Lamb's idea that current performance theories and production techniques do not work with Barker's plays. Lamb sets Barker's work against those ideas expounded by Edward Bond and the world of deconstruction and postmodern thought. Nine of Barker's drawings are also reproduced.
Stages of Struggle
One way or another, all playwrights use their work to explore the issues that interest them. The characters in a play may trumpet their creator's political views from the stage, or an unusual structure or set design may result from the playwright's interest in theatrical form. It is also common, particularly in the plays of the 20th and 21st century, to see a playwright delving into psychological issues raised by his own mental struggles or those of people he loves. Luigi Pirandello, tormented by the schizophrenia of his wife and other family members, repeatedly explored the problems caused by different visions of reality. Noel Coward's self-obsessed characters reflect his own narcissism. Alcoholism is a recurrent theme in the works of many playwrights, including Eugene O'Neill, Edward Albee, and Brian Friel. Through their exploration of these issues and more, the great writers of the theater have turned suffering into art. This book looks at the work of 20 playwrights to see how their examination of the disturbed mind has influenced the modern theater.
Staging Whiteness
How whiteness is portrayed in contemporary drama and enacted in everyday life.
The Many Lives of Galileo
The Many Lives of Galileo is a Marxist study of the development of Bertolt Brecht's great play Galileo on the English stage. Tracing various translations of Brecht's original, and the historical and political moments surrounding these translations, Dougal McNeill examines how, across the distances of culture, history and language, The Life of Galileo has come to figure so prominently in the life of English-language theatre. The translations and productions of Galileo by Charles Laughton, Howard Brenton and David Hare are examined, in a method combining close reading with an attention to broader social contexts, with an eye to uncovering their implications for drama in performance. Brecht valued re-creation, re-invention and re-telling as much as creation itself. In this book the author applies Brecht's aesthetic to translations of his own work, following Laughton, Brenton and Hare as they set themselves the task of rewriting Brecht and, in the process, use him to comment on their own eras.
