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Willie Doherty
Published to accompany an exhibition held at Fruitmarket Gallery, Edinburgh, 25 April - 12 July 2009.
Salvador Dalí
Published to accompany a major exhibition of his work, in Liverpool and St Petersburg, this study presents Salvador Dali's engagement with myth, legend and belief. Focusing mainly on the 1930s and early 1940s, during his involvement with the surrealist movement, it explores his illustration and adaptation of clasical, popular and Catholic narratives, his fascination with stories in collective ownership and his determined appropriation of them for the self-consciously orchestrated story of his own life.
Surrealism
This accessible book on the Surrealist movement features paintings, drawings, sculptures, photography, film stills, and architecture, displaying the enormous breadth and variety of Surrealism. The Surrealist movement that developed in Europe following the devastation of World War I swept energetically through all kinds of media as artists found expression in an imaginative pictorial language. This introduction to Surrealism shows 50 unique artworks that have lost nothing of their irresistible attraction to this day. Each work is featured on a beautifully illustrated spread. An informative text highlights each work’s classic characteristics, its unusual aspects, and its significance in the Surrealist movement. Including brief biographies of the artists, this book is a beautifully illustrated primer to Surrealism.
David Batchelor
David Batchelor (born 1955, Dundee) is perhaps best known for his vividly coloured sculptural installations of illuminated lightboxes, industrial dollies, and other found objects. These three-dimensional works perhaps belie the fact that the root of his interest is and always has been in drawing, painting, abstraction and the monochrome - preoccupations that are best charted in his immensely varied 2D oeuvre. This exhibition will be the first in-depth survey of David Batchelor's drawings, paintings and photographic work
Max Ernst and Alchemy
Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this mo...
The Oxford Critical and Cultural History of Modernist Magazines
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.
Callum Innes
His large-format paintings always wish to be more than just square surfaces. Although the Scottish painter Callum Innes (*1962 in Edinburgh) has devoted himself and his inimitable brushwork mainly to this clearly delimited format since the 1990s, his Minimalist paintings primarily deal with the thorough exploration of painting. After painting a bar of color, he immerses his brush in turpentine and proceeds to remove what's there. This is often followed by yet another coat and finally, another removal. Innes has steadily created poetic paintings, using different color combinations and intensities, as well as different materials--canvas, watercolor paper, and masonry. Photographs of installations and fascinating details allow readers to sense the effects of Innes's art in a wonderful way. What at first seems to be merely abstract ultimately reveals gorgeous, hypnotic depth. Exhibition: De Pont Museum Tilburg 5.10.2016-26.2.2017
Tiny Surrealism
"New light on both Dalí's well-known and little-studied works and his work as a response to modernism through a focus on Dalí's identification with the small and the marginal"--
Filming the Body in Crisis
How does film affect the way we understand crises of the body and mind and how does it manifest other kinds of crises levelled at the spectator? This book offers vital scholarly analysis of the embodied nature of film viewing and the ways in which film deals with the question of loss, the healing body and its material registering of trauma.
Re: CP
"For forty years, British architect Cedric Price has been one of the most challenging and witty provocateurs in the field, forcing us to cast a fresh eye on what architecture is." (Canadian Centre for Architecture, Montreal)
