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Shortlisted for the Guardian First Book Award Winner of the inaugural Voss Literary Prize Joint winner of the Barbara Jefferis Award In an isolated house on the New South Wales coast, Ruth, a widow whose sons have flown the nest, lives alone. Until one day a stranger bowls up, announcing that she's Frida, sent to be Ruth's carer. At first, Ruth welcomes Frida's vigorous presence and her willingness to hear Ruth's tales of growing up in Fiji. She even helps reunite Ruth with a childhood sweetheart. But why does Ruth sense a tiger prowling through the house at night? Is she losing her wits? Can she trust the enigmatic Frida? And how far can she trust herself?
"A group of notable writers ... celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past"--Provided by publisher.
What a terrible thing at a time like this: to own a house, and the trees around it. Janet sat rigid in her seat. The plane lifted from the city and her house fell away, consumed by the other houses. Janet worried about her own particular garden and her emptied refrigerator and her lamps that had been timed to come on at six. So begins "Mycenae," a story in The High Places, Fiona McFarlane's first story collection. Her stories skip across continents, eras, and genres to chart the borderlands of emotional life. In "Mycenae," she describes a middle-aged couple's disastrous vacation with old friends. In "Good News for Modern Man," a scientist lives on a small island with only a colossal squid an...
'Clever and engrossing' MAIL ON SUNDAY 'This Möbius strip of linked stories bends and twists the crime genre until it is barely recognisable . . . The result is a riveting study of human nature' GERALDINE BROOKS, author of Horse 'Addictively engaging, profoundly serious fiction from an underappreciated master' KIRKUS, starred review 'A standout meditation on a community's legacy of violence' PUBLISHERS WEEKLY In 1998, an apparently ordinary Australian man is arrested and charged for a series of brutal murders. The news shocks the nation, bringing both horror and resolution to the victims' families, but its impact travels even further: into the past, as the murders rewrite personal histories...
In an isolated house on the New South Wales coast, Ruth, a widow whose sons have flown the nest, lives alone. Until one day a stranger bowls up, announcing that she's Frida, sent to be Ruth's carer. At first, Ruth welcomes Frida's vigorous presence and her willingness to hear Ruth's tales of growing up in Fiji. She even helps reunite Ruth with a childhood sweetheart. But why does Ruth sense a tiger prowling through the house at night? Is she losing her wits? Can she trust the enigmatic Frida? And how far can she trust herself?
Inis has run away from her husband and children. Her new neighbour Trixie is eighty-four years old and a hymn-singing Salvation Army veteran. Trixie's life is one of apparent calm but beneath the surface lie not one but three different personalities. One of them is very private. And very dangerous.
Winner of the International Dylan Thomas Prize “THERE IS IN THESE TALES A RECURRENT ‘FEELING OF QUEASY ANTICIPATION,’ AS ONE OF MCFARLANE’S CHARACTERS OBSERVES, ‘AS IF SOME TERRIBLE THING MIGHT HAPPEN AT ANY MOMENT.’ . . . IT’S A MOOD YOU ASSOCIATE WITH FLANNERY O’CONNOR, EVIDENTLY ONE OF MCFARLANE’S INFLUENCES, AS WELL AS PATRICIA HIGHSMITH.”—THE NEW YORK TIMES BOOK REVIEW (EDITORS’ CHOICE) Ranging from Australia to Greece, England to a Pacific island, the stories in Fiona McFarlane’s story collection The High Places journey across continents, eras, and genres, charting the pivotal moments of people’s lives. In “Mycenae,” a middle-aged couple embarks on a disastrous vacation in the company of old friends. In “Good News for Modern Man,” a scientist conducts research on a small, remote island, where he is haunted by a colossal squid and the ghost of Charles Darwin. And in the title story, an Australian farmer turns to Old Testament methods to relieve a fatal drought. All are confronted with events that make them see themselves and their lives from a fresh perspective—and what they do as a result is as unpredictable as life itself.
A laugh-out-loud read from the Sunday Times bestselling author of If I Never Met You
This anthology brings together Australia's most striking literary talents and provides a platform for those unpublished gems. This year Stella Prize-winning author Charlotte Wood takes the helm, putting together yet another enchanting collection.