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Recent events have focused attention on the perceived differences and tensions between the Muslim world and the modern West. As a major strand of Western public discourse has it, Islam appears resistant to internal development and remains inherently pre-modern. However Muslim societies have experienced most of the same structural changes that have impacted upon all societies: massive urbanisation, mass education, dramatically increased communication, the emergence of new types of institutions and associations, some measure of political mobilisation, and major transformations of the economy. These developments are accompanied by a wide range of social movements and by complex and varied relig...
What makes hundreds of listeners cheer ecstatically at the same instant during a live concert by Egyptian diva Umm Kulthum? What is the unspoken language behind a taqsim (traditional instrumental improvisation) that performers and listeners implicitly know? How can Arabic music be so rich and diverse without resorting to harmony? Why is it so challenging to transcribe Arabic music from a recording? Inside Arabic Music answers these and many other questions from the perspective of two "insiders" to the practice of Arabic music, by documenting a performance culture and a know-how that is largely passed on orally. Arabic music has spread across the globe, influencing music from Greece all the w...
This original and multidimensional book brings a refreshing new approach to the study of the arts of the Middle East. By dealing in one volume with dance, music, painting, and cinema, as experienced and practiced not only within the Middle East but also abroad, Images of Enchantment breaks down the artificial distinctions--of form, geography, 'high' and 'low' art, performer and artist--that are so often used to delineate the subjects and processes of Middle Eastern artistic culture. The eighteen essays in this book cover themes as diverse as Bedouin dance, the music of Arab Americans, cinema in Egypt and Iran, Hollywood representations of the Middle East, and contemporary Sudanese painting. ...
Kenneth Perkins's second edition of A History of Modern Tunisia carries the history of this country from 2004 to the present, with particular emphasis on the Tunisian revolution of 2011 - the first critical event of that year's Arab Spring and the inspiration for similar populist movements across the Arab world. After providing an overview of the country in the years preceding the inauguration of a French protectorate in 1881, the book examines the impact of colonialism on the country, with particular attention to the evolution of a nationalist movement that secured the termination of the protectorate in 1956. Its analysis of the first three decades of independence, during which the leaders of the anticolonial struggle consolidated political power, assesses the challenges that they faced and the degree of success they achieved. No other English-language study of Tunisia offers as sweeping a time frame or as comprehensive a history of this nation.
In this new edition Professor Tibi analyses the impact and function of nationalism and its contribution to social and political change in the Third World, taking the rise of nationalism in the Middle East as a historical example. He concentrates on the period after the First World War, when many Arab intellectuals became disillusioned with Britain and France as a result of the occupation of their countries. Professor Tibi's careful study of the writings and influence of Sati' al-Husri illustrates the connection between modern Arab nationalism and nineteenth century German Romantic nationalism, which will be of particular interest to the English reader. Professor Tibi concludes that while nationalism has played a necessary and important role in the movement for national independence in the Middle East, it has since developed into an ideology which seems to obstruct further social and political emancipation. This book will be of particular interest to historians and social scientists as well as to specialists in the area itself.
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This book offers the first sustained treatment of Sufism in the context of modern Muslim communities. It is also innovative, in that it broadens the purview of the study of Sufism to look at the subject right across international boundaries, from Canada to Brazil, and from Denmark to the UK and USA. Subjects discussed include: the politics of Sufism, the remaking of Turkish Sufism, tradition and cultural creativity among Syrian Sufi communities, the globalization of Sufi networks, and their transplantation in America, Iranian Sufism in London, and Naqshbandi Sufism in Sweden. In its thorough examination of how Sufi rituals, traditions and theologies have been adapted by late-modern religiosity, this volume will make indispensable reading for all scholars and students of modern Islam.
Sufism is typically thought of as the mystical side of Islam. In recent years, it has been held up as a supposedly peaceful alternative to the spread of forms of Islam associated with violence, an embodiment of democratic ideals of tolerance and pluralism. Are Sufis in fact as otherworldy and apolitical as this stereotype suggests? Modern Sufis and the State brings together a range of scholars, including anthropologists, historians, and religious-studies specialists, to challenge common assumptions that are made about Sufism today. Focusing on India and Pakistan within a broader global context, this book provides locally grounded accounts of how Sufis in South Asia have engaged in politics f...
What is it about the history, geographical position and cultures of the Middle East, North Africa and Central Asia that has made music such a potent and powerful agent? This volume presents the first direct look at the complex relationship between music and power across a range of musical genres and countries. Discourses of power in the region centre on some of the most contested social issues, most notably in relation to nationhood, gender and religion. Individual chapters examine the ways in which music serves as a forum for playing out issues of power, ideology, resistance and subversion. How does music become a space for promoting - or conversely, resisting or subverting - particular ide...