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Teaching Tourism
Tourism as an activity is increasingly being criticised for its exploitative and extractive industrial approaches to business. Yet, it has the power to transform and to regenerate societies, cultures and the environment. The desire to explore the world around us is deeply embedded in many people’s psyche, but it comes at a cost to the environment and often to the residents of the visited communities. Much of tourism education has been closely linked to preparing students for future professional practice, but the challenges and opportunities linked to its consumption require that its future leaders must exhibit very different values and understandings to tackle ever more complex and wicked problems from which tourism cannot dissociate itself. This compilation of values-based learning experiences can be adapted to suit the needs and disposition of individual instructors and aims not only to engage students in the subject matter but also deepen their understanding of its complexity and interconnectivity and help them become global citizens that lead lives of consequence.
Why Men Are Afraid of Women
The tie that binds men and women, that makes men do absurd things that they will very likely be sorry for later, is at the center of this prize-winning collection of stories. There is, for example, Jack Segal, who is thirty-six and who owns a record store on Ocean Boulevard in Santa Monica and who has fallen in love—badly and madly in love—with the fourteen-yearold daughter of his friend Katzman. Segal can’t think. He eats, but it doesn’t taste like anything. He drives the freeways, floats above the city lights, and finds himself almost wishing that the Great Quake would come and solve everything for him. Some of Camoin’s characters are running: Diehl, from the necessity of finishing his second novel, of deciding once and for all the fate of its central character, who may be Diehl himself; the jogger-narrator of the story “Peacock Blue,” from the pain of his life (“What lucky fools marathon runners are. They run for joy.”); Loveman, to El Paso and a hustler’s dream of paradise that turns into something else.
Arbitrary Justice
What happens when public prosecutors, the most powerful officials in the criminal justice system, seek convictions instead of justice? Why are cases involving well-to-do victims often prosecuted more vigorously than those involving poor victims? Why do wealthy defendants frequently enjoy more lenient plea bargains than the disadvantaged? In this eye-opening work, Angela J. Davis shines a much-needed light on the power of American prosecutors, revealing how the day-to-day practice of even the most well-intentioned prosecutors can result in unequal treatment of defendants and victims. Ranging from mandatory minimum sentencing laws that enhance prosecutorial control over the outcome of cases, to the increasing politicization of the office, Davis uses powerful stories of individuals caught in the system to demonstrate how the perfectly legal exercise of prosecutorial discretion can result in gross inequities in criminal justice. For the paperback edition, Davis provides a new Afterword which covers such recent incidents of prosecutorial abuse as the Jena Six case, the Duke lacrosse case, the Department of Justice firings, and more.
Projecting Politics
This work examines the relationship between American politics and films, from 'Birth of a Nation' to 'Fahrenheit 9/11'. It provides a decade-by-decade survey as well as a framework to analyse the political content of films.
Filming Robert Flaherty's Louisiana Story
This book details the production of Robert Flaherty's most beautiful and most ambitious film, Louisiana Story. At its core are the production diaries of Helen van Dongen, associate producer and editor for the project and a pioneer among women filmmakers. Her informative notes, which have never before been published, illuminate the problems and challenges of shooting and cutting the film on location in the bayou country of Louisiana. The essays describe the creative partnership that van Dongen developed with Flaherty. They also provide insight into New York's documentary film scene during the 1930s and '40s. The illustrations include film stills, working documents, and archival photographs; there are also biographies and filmographies.
LIFE
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
LIFE
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
