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A Mexican Folk Pottery Tradition
This full-length portrait of a major style in folk pottery was originally published in Spanish by the Instituto Nacional Indigenista in 1981. Revised and enlarged, the present volume covers a wider scope. Kaplan discusses the nature and extent of the community formed by the potters of black-on-red ware, describing and classifying the pottery and the raw materials used. She examines the technique of pottery making by focusing on the role of learning and specialization in the transmission of style. Kaplan explores the patterns of traditional pottery and looks at distribution of the ware as well as at the daily and ceremonial contexts of its use, suggesting that style in material culture is a system that embodies group identity and provides a basis for group action. The markings, the color, the sizes, the shapes - in short, the style of this black-on-red pottery - are an expression of a number of ancient themes and myths that have shaped the Indian view of life over a long period.
Museums and the Making of "ourselves"
This volume chronicles the ways in which museum collections have played important roles in creating national identity and in promoting national agendas.
Once Upon a Kingdom
Using stories he collected from narrators from the old West African kingdom of Benin, the author shows how the present mirrors the past in both folklore and political reality, suggesting that African states fail to create a level playing field for the plural identities within their borders, leaving marginalized peoples uncertain of their place in an uneven socio-political landscape.
Queens, Queen Mothers, Priestesses, and Power
A collection of 18 case studies of women in power in Africa. It focuses on the political and ritual roles of royal and elite women who are gathered together by tradition, choice and circumstance, and who, as a result, achieve and exercise power, and acquire and exert influence in the public and private arenas of their societies. A dozen sub-Saharan ethnic groups are represented, mostly from West and South Africa. The volume is interdisciplinary, with contributions drawn from the fields of anthropolgy, art history, history, political science, comparative literature, African and African-American studies, women's studies and religion.
Crafts in the World Market
The growing exchange of traditional craft objects in world markets has had a profound impact on the lives of the women and men who produce them. These essays describe how the flow of goods from the industrial centers of the world to the colonies in earlier centuries is now met by a reverse flow as consumers seek the exotic and unique objects of handicraft production in Third World countries. The book explores the paradox of how artisans continue to create traditional objects, yet new sources of wealth and intensified production are transforming their traditional lifeways in areas such as the Oaxaca Valley, the Yucatan, Highland Chiapas, and Guatemala.
