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This unique and detailed analysis provides the first accessible and comprehensive introduction to the origins, development, methodology of microhistory – one of the most significant innovations in historical scholarship to have emerged in the last few decades. The introduction guides the reader through the best-known example of microstoria, The Cheese and the Worms by Carlo Ginzburg, and explains the benefits of studying an event, place or person in microscopic detail. In Part I, István M. Szijártó examines the historiography of microhistory in the Italian, French, Germanic and the Anglo-Saxon traditions, shedding light on the roots of microhistory and asking where it is headed. In Part...
This book aims at providing insights into the collagen superfamily and the remarkable diversity of collagen function within the extracellular matrix. Additionally, the mechanisms underlying collagen-related diseases such as dystrophic epidermolysis bullosa, osteogenesis imperfecta, as well as collagen-related myopathies and neurological disorders are discussed. Collagens are the most abundant extracellular matrix proteins in organisms. Their primary function is to provide structural support and strength to cells and to maintain biomechanical integrity of tissues. However, collagens can no longer be considered just as structural proteins. They can act as extracellular modulators of signaling ...
The nature of scientific activity has changed dramatically over the last half century, and the objectivity and rigorous search for evidence that once defined it are being abandoned. Increasingly, this text argues, dogma has taken the place of authentic science. This study examines how conflicts of interest--both institutional and individual--have become pervasive in the science world, and also explores the troubling state of research funding and flaws of the peer-review process. It looks in depth at the dominance of several specific theories, including the Big Bang cosmology, human-caused global warming, HIV as a cause of AIDS, and the efficacy of anti-depressant drugs. In a scientific environment where distinguished experts who hold contrary views are shunned, this book is an important contribution to the examination of scientific heterodoxies.
Brunelleschi’s basilica of Santo Spirito in Florence was not only a product of creative genius, but also of communal bureaucracy, socio-economic traditions, human and financial resources, factionalism, and rivalry. This complex network of forces behind the monument serves as testimony to the determination and capacity of Renaissance Florentines to actualize the creative ideas of the extraordinary artists and architects who were transforming the profile of the city. Moreover, it reveals that the labor, spirit, and energy of those human beings who were building Renaissance Florence were just as important to its manufacture as the brick, stone and wood used to build it. By investigating those aspects that defined the building tradition of the Renaissance – the architect, the Opera (building committee), the quartiere (neighborhood), the cantiere (worksite and workforce) – we discover that behind a great monument lies a monumental account of collective human achievement.
This diverse collection of research articles is united by the enormous power of modern molecular genetics. Every author accomplished two objectives: (1) making the field and the research described accessible to a large audience and (2) explaining fully the genetic tools and approaches that were used in the research. One fact stands out - the importance of a genetic approach to addressing a problem. I encourage you to read several chapters. You will feel the excitement of the scientists, and you will learn about an area of research with which you may not be familiar. Perhaps most importantly, you will understand the genetic approaches; and you will appreciate their importance to the research.
Focusing on multiple aspects of Renaissance culture, and in particular its preoccupation with the reading and rewriting of classical sources, this book examines representations of homosexuality in sixteenth-century France. Analysing a wide range of texts and topics, it presents an assessment of queer theory that is grounded in historical examples, including French translations of Boccaccio's Decameron, the poetry of Ronsard, works in praise of and satirising Henri III and his mignons, Montaigne's Essais, Brantôme's Dames galantes, the figures of the androgyne and the hermaphrodite, and religious discourses and practices of penance and confession. Close comparison with the ancient models on ...
In Queer/Early/Modern, Carla Freccero, a leading scholar of early modern European studies, argues for a reading practice that accounts for the queerness of temporality, for the way past, present, and future time appear out of sequence and in dialogue in our thinking about history and texts. Freccero takes issue with New Historicist accounts of sexual identity that claim to respect historical proprieties and to derive identity categories from the past. She urges us to see how the indeterminacies of subjectivity found in literary texts challenge identitarian constructions and she encourages us to read differently the relation between history and literature. Contending that the term “queer,â€...
Spis se v podstatÄ› zabývá dualistickou heretikou stÅ™edovÄ›ku a vycházà ze základnÃch medievalnÃch doktrÃn. VÄ›nuje pozornost paulikiánskému hnutÃ, které vzniklo v sedmém stoletà v Západnà Arménii. Studuje toto hnutà a v nÄ›m se projevujÃcà protifeudálnà boj mas, hlavnÄ› rolnictva a jeho vliv na bogomilstvÃ. ProbÃrá z historického hlediska heretický a dualistický charakter bogomilstvÃ, které vzniklo v Bulharsku v 10. stoletÃ, stavÄ›lo se proti cÃrkvi a jejÃm obÅ™adům i proti soukromému vlastnictvÃ. Kniha sleduje dalÅ¡Ã jeho pronikánà do Bosny a na Západ.
In this immensely charming and insightful book, artist Edith Vonnegut takes issue with traditional art imagery in which women are shown as weak and helpless. Through twenty-seven of her own paintings interspersed with her text, she poignantly -- and humorously -- illustrates her maxim that the lives of mothers and homemakers are filled with endless challenges and vital decisions that should be portrayed with the dignity they deserve. In Vonnegut's paintings, one woman bravely blocks the sun from harming a child (Sun Block) while another vacuums the stairs with angelic figures singing her praises (Electrolux). In contrasting her own Domestic Goddesses with the diaphanous women of classical art (seven paintings by masters such as Titian and Botticelli are included), she 'expresses the importance of traditional roles of women so cleverly and with such joy that her message and images will be forever emblazoned on our collective psyche.