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Les anglais
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Henri Cartier-Bresson Scrapbook
In 1946 Cartier-Bresson travelled to New York with about 300 prints in his suitcase, bought a scrapbook , glued each one in and brought that album to MoMAs curators. Here, published for the first time in its entirety, is a facsimile of that famous scrapbook.
Henri Cartier-Bresson in China
The first visual chronicle of a little-known chapter in the career of Henri Cartier-Bresson—one of the great photographers of the twentieth century. In December 1948, Henri Cartier-Bresson traveled to China at the request of Life magazine. He wound up staying for ten months and captured some of the most spectacular moments in China’s history: he photographed Beijing in “the last days of the Kuomintang,” and then headed back to Shanghai, where he bore witness to the new regime’s takeover. Moreover, in 1958, Henri Cartier-Bresson was one of the first Western photographers to go back to China to explore the changes that had occurred over the preceding decade. The “picture stories”...
The Decisive Moment
One of the most famous books in the history of photography, this volume assembles Cartier-Bresson's best work from his early years.
Henri Cartier-Bresson
Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson, including thousands of prints and a vast resource of documents relating to the photographer's life and work.
Henri Cartier-Bresson and Alberto Giacometti
Henri Cartier-Bresson and Alberto Giacometti became friends in the mid-1930s in Paris. Both were seeking a way out of Surrealism that would lead their back to reality. Giacometti returned to life studies; Cartier-Bresson exchanged his brush for a camera. The content of this volume revolves around the many mutual resonances in the work of these two great artists. The book opens with photographs of Giacometti taken by Cartier-Bresson over a period of three decades. The inner workings of the artists' friendship is illuminated by a comparison between their respective work as draughtsmen, their search for the "decisive moment," and the question of how the photographs of one and the paintings and ...
Scrap book
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Francesca Woodman
On Being an Angel takes its title from a caption the artist inscribed on two of her photographs--self-portraits with her head thrust back and her chest thrust forward. Typical of Woodman's work in the way they cast the female body as simultaneously physical and immaterial, these photographs and the evocative title they share are apt choices to encapsulate the work of an artist whose legacy has been unavoidably colored by her tragic personal biography and her death, at age 22, by suicide. In less than a decade, Woodman produced a fascinating body of work--in black and white and in color--exploring gender, representation, sexuality and the body through the photographing of her own body and tho...
