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Talium en los tiempos de la IA: La creatividad humana no tiene precio. Desde el inicio de los tiempos todos hemos sido creadores, no solamente en las artes, sino también en todas y cada una de las ciencias, incluyendo la mayor de todas: la cotidianidad. Estoy seguro de que desde ahí detonan los textos que presento como editor en esta sexta antología del taller literario Grupo Talium. Sin embargo, no somos máquinas de procesar realidades; si bien una chispa, una genialidad nos lleva a traducir un hecho en un verso, en una narración literaria, no hay fórmulas ni algoritmos y quizá las técnicas revisadas al interior de las dinámicas del taller están planteadas para ser matizadas, ajustadas a lo que cada poeta y escritor es en su esencia humana, pero deben ser olvidadas luego. Nadie ni nada nunca puede o podrá reemplazar hoy ese acto creador, ese big bang de una idea en la inteligencia natural de cualquier persona; por ello en esta antología son treinta y dos creadores los elegidos y debemos estar orgullosos por toda la eternidad de esas conmociones que nos despiertan.
This volume provides the first comparative survey of the relations between the two most active book worlds in Eurasia between 1450 and 1850. Prominent scholars in book history explore different approaches to publishing, printing, and book culture. They discuss the extent of technology transfer and book distribution between the two regions and show how much book historians of East Asia and Europe can learn from one another by raising new questions, exploring remarkable similarities and differences in these regions’ production, distribution, and consumption of books. The chapters in turn show different ways of writing transnational comparative history. Whereas recent problems confronting res...
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Contains scholarly evaluations of books and book chapters as well as conference papers and articles published worldwide in the field of Latin American studies. Covers social sciences and the humanities in alternate years.
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WINNER — 2020 Choice’s Outstanding Academic Title During the Mao years, laughter in China was serious business. Simultaneously an outlet for frustrations and grievances, a vehicle for socialist education, and an object of official study, laughter brought together the political, the personal, the aesthetic, the ethical, the affective, the physical, the aural, and the visual. The ten essays in Maoist Laughter convincingly demonstrate that the connection between laughter and political culture was far more complex than conventional conceptions of communist indoctrination can explain. Their sophisticated readings of a variety of genres—including dance, cartoon, children’s literature, come...