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Dancefilm: Choreography and the Moving Image examines the choreographic in cinema - the way choreographic elements inform cinematic operations in dancefilm. It traces the history of the form from some of its earliest manifestations in the silent film era, through the historic avant-garde, musicals and music videos to contemporary experimental short dancefilms. In so doing it also examines some of the most significant collaborations between dancers, choreographers, and filmmakers. The book also sets out to examine and rethink the parameters of dancefilm and thereby re-conceive the relations between dance and cinema. Dancefilm is understood as a modality that challenges familiar models of cine...
This book brings together experts in the fields of art history, visual arts, music, cultural geography, curatorial practice and landscape architecture to explore the role of material memory in the post-industrial landscape and the ways in which that landscape can act as a site for many forms of creative practice. It examines the role of material memory in the siting of public artworks and politically inspired installation art within the socio-economic post-industrial landscape. The post-industrial ruin as a place for innovation in the curatorial process is also investigated, as are social memory and the complexities of inscribing memory into places. A number of chapters focus on photography ...
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When a brutally murdered man is found hanging in a theatre, Detective Sergeant Rex King becomes obsessed with the case. Who is this anonymous corpse, and why has he been ritually mutilated? But as Rex explores the crime scene further, the mystery deepens, and he finds himself confronting his own secret history instead. Who, more importantly, is Rex King? Shifting between Holborn Police Station, an abandoned village in rural 1980s France, and Stonehenge's Battle of the Beanfield, The Fountain in the Forest transforms the traditional crime narrative into something dizzyingly unique. At once an avant-garde linguistic experiment, thrilling police procedural, philosophical meditation on liberty, and counter-culture bildungsroman, this is an iconoclastic novel of unparalleled ambition.
This publication features the work of leading new media artists invited to participate in the 2010 Premier of Queensland's National New Media Art Award - Australia's most significant prize for new media art. The exhibition and Award is presented every two years, and the winning works become part of the Queensland Art Gallery's permanent collection. The 2010 short-listed artists are Philip Brophy, Chris Howlett, Van Sowerwine and Isobel Knowles, Wade Marynowsky, Soda_Jerk and Lynette Wallworth. The 52-page publication includes 4-page essays on each of the short-listed artists, as well as exhibition histories and bibliographies. The Award exhibition showcases new and recent works by each artist that express challenging and innovative approaches to the use of media including video, digital animation and gaming, robotics, sound and interactive technologies.