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This book looks at the history of Fort Stanwix and documents how the people of Rome, New York, partnered with the National Park Service to create Fort Stanwix National Monument, a reconstructed log-and-sod Revolutionary War fort located in the center of the city. Initially undertaken as part of Rome's urban renewal effort to revive a failing economy through tourism, the fort's reconstruction exemplifies how a regional interest successfully engaged the National Park Service in achieving its goals. Using extensive documentation and oral history interviews, historian Joan M. Zenzen examines the full sweep of the site's history by looking back at the 1777 siege that helped turn the tide at Sarat...
This catalogue deals primarily with the collection of American powder horns and primers formed by J. H. Grenville Gilbert, of Ware, Massachusetts, and generously presented to The Metropolitan Museum of Art in 1937. An essay on American engraved powder horns and a résumé of the Gilbert collection precede the catalogue, which consists of detailed descriptions of the individual pieces and notes of genealogical or historical interest. Each horn in the collection is illustrated by a collotype reproduction and, with one exception (an undecorated horn), by a line drawing of the engraved area. An indexed checklist of the collections records the pertinent details of each powder horn.
Few American cities have a history as rich as that of Rome. This central New York crossroads witnessed the siege of Fort Stanwix during the Revolutionary War, the digging of the Erie Canal, and the development of industry that followed. At one time, Rome boasted one-tenth of all copper produced in the country, earning the nickname "the Copper City." Rome richly depicts the people, the great streets-Dominick and James and others-and the structures that were all part of that history.
From the early nineteenth to the mid-twentieth century, an impressive group of English speaking intellectuals converted to Catholicism. Outspoken and gifted, they intended to show the fallacies of religious skeptics and place Catholicism, once again, at the center of western intellectual life. The lives of individual converts—such as John Henry Newman, G. K. Chesterton, Thomas Merton, and Dorothy Day—have been well documented, but Patrick Allitt has written the first account of converts' collective impact on Catholic intellectual life. His book is also the first to characterize the distinctive style of Catholicism they helped to create and the first to investigate the extensive contacts ...