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Aesthetics and Experience in Music Performance
Drawing upon a wide range of scholarly enquiry into early music, queer musicology, ethnomusicology, performance practice, music education and technology, Aesthetics and Experience in Music Performance provides a lively forum for the articulation of varied perspectives on the role of music, its interpretation and function in contexts supported by those who practice or experience it. The formal and shorter discussion papers included in this scholarly collection were presented at the National Workshop of the Musicological Society of Australia, held at the University of Queensland, Brisbane in October 2003. The themes of aesthetics and experience are central to this publication and each paper engages in a scholarly dialogue on the technical, expressive and embodied aspects of performance. The papers included in this publication bring together the research of a wide community of scholars (e.g., musicologists, anthropologists, ethnomusicologists and linguists) working in the field of performance studies and collectively reflect the musicological issues being debated in Australia today.
Enacted Relations
The Yolngu Indigenous people in the Northeast Arnhem Land of Australia respond to neo-colonial challenges by continuing to affirm their political autonomy and transmit ‘Yolngu Law’, which are ways of knowing and being with the younger generation. They deal with non-indigenous institutions, through participation of bodies, language, things, images of movement and notions of mutual care, feelings and accountability. This book explores the Yolngu relational ontology and epistemology in the context of everyday practices, ritual ceremonies, bicultural education, vernacular Christianity and the production of popular music.
Creating White Australia
The adoption of White Australia as government policy in 1901 demonstrates that whiteness was crucial to the ways in which the new nation of Australia was constituted. And yet, historians have largely overlooked whiteness in their studies of Australia's racial past. Creating White Australia takes a fresh approach to the question of 'race' in Australian history. It demonstrates that Australia's racial foundations can only be understood by recognising whiteness too as 'race'. Including contributions from some of the leading as well as emerging scholars in Australian history, it breaks new ground by arguing that 'whiteness' was central to the racial ideologies that created the Australian nation. This book pursues the foundations of white Australia across diverse locales. It also situates the development of Australian whiteness within broader imperial and global influences. As the recent apology to the Stolen Generations, the Northern Territory Intervention and controversies over asylum seekers reveal, the legacies of these histories are still very much with us today.
Performing Gender, Place, and Emotion in Music
Presenting a range of ethnographic case studies from around the globe, this edited collection offers new ways of thinking about the interconnectivity of gender, place, and emotion in musical performance.
Boundary Writing
Have globalization and the emergence of virtual cultures reduced cultural diversity? Will the world become homogenized or Americanized? Boundary Writing sets out to demonstrate that this oversimplification denies the reality that today there is greater space for cultural diversity than ever before. It explores the desire to categorize individuals and collectivities into racial, ethnic, gender, and sexuality categories (black and white, men and women, gay and straight), which is a feature of most Western societies. More specifically, it analyzes the boundaries and edges of these categories and concepts. Across nine chapters, contributors reveal that such binaries are often too restrictive. Th...
International Theatre Festivals and Twenty-First-Century Interculturalism
A far-reaching examination of how international theatre festivals shape 21st-century intercultural negotiation and exchange.
Musical Collaboration Between Indigenous and Non-Indigenous People in Australia
This book demonstrates the processes of intercultural musical collaboration and how these processes contribute to facilitating positive relationships between Indigenous and non-Indigenous peoples in Australia. Each of the chapters in this edited collection examines specific examples in diverse contexts, and reflects on key issues that underpin musical exchanges, including the benefits and challenges of intercultural music making. The collection demonstrates how these musical collaborations allow Indigenous and non-Indigenous people to work together, to learn from each other, and to improve and strengthen their relationships. The metaphor of the “third space” of intercultural music making is interwoven in different ways throughout this volume. While focusing on Indigenous Australian/non-Indigenous intercultural musical collaboration, the book will be of interest globally as a resource for scholars and postgraduate students exploring intercultural musical communication in countries with histories of colonisation, such as New Zealand and Canada.
Practices of Proximity
Practices of Proximity investigates the appropriation of the English language taking place in the Australian literary contact zone between an official ‘white’ Australia—the apparent owners of both the land and the English language—and Australian Indigenous peoples. Rescuing the debate from seemingly peripheral locations—the ‘empty’ Great Sandy Desert, or the abject urban margin—it insists on the complex, ultimately open-ended and multilateral ownership of the English language by all who inhabit the intersubjective space of literature, rendering the inherited authority of who ‘owns’ meaning problematical and ethically suspect. Documenting the complex practices of bricolage...
Character and Person
Character and Person explores the category of fictional character, one of the most widely used and least adequately theorized concepts in literary studies, cultural studies, and everyday usage. It sets fictional character in relation to the concept of person and tries to examine how each of these terms is constructed across different cultures.
The First Wave
The European maritime explorers who first visited the bays and beaches of Australia brought with them diverse assumptions about the inhabitants of the country, most of them based on sketchy or non-existent knowledge, contemporary theories like the idea of the noble savage, and an automatic belief in the superiority of European civilisation. Mutual misunderstanding was almost universal, whether it resulted in violence or apparently friendly transactions. Written for a general audience, The First Wave brings together a variety of contributions from thought-provoking writers, including both original research and creative work. Our contributors explore the dynamics of these early encounters, fro...
