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Beyond the Image Machine
Beyond the Image Machine: A History of Visual Technologies is an eloquent and stimulating argument for an alternative history of scientific and technological imaging systems. It explores the ways in which the technological medium through which a piece of visual art is rendered contributes significantly to the experience of the human looking at it. Through a series of studies of individual art works, David Tomas gives a fascinating and wholly original account of the relationship between visual technology and human sensory perception. Illustrated throughout, the book draws on a range of hitherto marginalised examples from the world of visual representation. In examining these art works and, it draws upon the work of such key theorists as Latour, de Certeau, Mc Luhan and Barthes. Beyond the Image Machine is an original and contribution to the study of visual culture and the technologies that mediate it. It is a book that changes the terms of the debate and redefines the discipline. Anyone studying, teaching or researching in this area will find it a rich source of ideas and inspiration.
Faking Death
In Faking Death Penny Cousineau-Levine examines the work of over 120 Canadian photographers, revealing important aspects of Canadian identity and imagination. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is elsewhere, a doubling and duality that also occurs in Canadian literature, film and political life. Subverting the documentary tradition and other stylistic idioms for their own distinctive ends, Canadian photographers exhibit an ambivalent preoccupation with death and dying, bondage, and entrapment. Cousineau-Levine argues that this is characteristically a faked death that expresses a collective Canadian wish for a symbolic passage to national maturity. The book includes 16 colour reproductions and 150 duotones by artists such as Raymonde April, Jeff Wall, Lynne Cohen, Charles Gagnon, Evergon, Michel Lambeth, Thaddeus Holownia, Geoffrey James, Genevi ve Cadieux, Shelley Niro, Diana Thorneycroft, Jin-me Yoon, Ian Wallace, and Ken Lum. This work provides a visual introduction to one of Canada's most vibrant and internationally recognized artistic media.
Image & Imagination
A richly illustrated exploration of the imagination in photography featuring the work of over sixty international artists.
Embedded Commissioning of Building Systems
In todayOCOs digital, green, and consumer driven marketplace, it is critical to be knowledgeable about the latest approaches, tools and systems that can help you seamlessly and reliably conduct building performance verification assessments. This groundbreaking book provides you with a solid understanding of the underpinnings of embedded commissioning (ECx) as the overarching building evaluation approach.You find a review of significant and emerging approaches within ECx, including product models, process models, BIM (building information modeling), laser technology based modeling, mapping between process and product models, building codes, and data access and exchange standards. Moreover, this forward-looking resource provides you with details on the latest research findings in the areas of sensor networks, value based design, fields tools and AR/AV methods, just-in-time technologies, and wearable computers."
Performing Endurance
Offers a formal account and theory of endurance as a practice in performance art and protest. Discusses influential performances by Marina Abramović, Chris Burden, Tehching Hsieh, Yoko Ono, and others, as well as 1960s lunch counter sit-ins and twenty-first-century protest camps. Essential reading in performance theory, art history, and political activism.
Closed Circuits
Long before the 2013 NSA scandal about electronic surveillance, narrative cinema had become a weathervane of social phobias in regard to national security, drawing on a long history of surveillance both as theme and as audiovisual machination that saw its first heyday with the Weimar cinema of Fritz Lang. This book's analytical return to apparatus theory, and especially to suture theory's contrapuntal logic of seeing unseen, contributes to a new view of digital optics in this regard: one of contemporary cinema's most urgent cultural as well as technological flashpoints.
Deviant Practices
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Point & Shoot
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The Contemporary, the Common
Examines themes of being-in-common in today's world and their relation to the development of art practices. The work of Claire Fontaine, Douglas Gordon and Philippe Parreno, Ion Grigorescu, Carsten Höller, Mike Kelley, Sigalit Landau, Rabih Mroué, Yvonne Rainer, Rirkrit Tiravanija, and Jeff Wall, among other artists, is examined together with Pontbriand's insights into the seminal issues stirring the field of contemporary art
