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Minimalism:Origins
The term Minimalism appeared in the mid-1960s, primarily with reference to the stripped down sculpture of artists like Donald Judd. This volume investigates the origins of Minimalism in post-war American culture. The author redefines it as a movement that developed reductive stylistic innovations.
Barbaric Murderers
Standing in the left luggage office at Brighton station, the Chief Constable was looking for clues. A corpse in a box is usually littered with forensic evidence. And the woman's naked pregnant torso seemed eager to reveal the secret of her gory death and the whereabouts of the rest of her body. Read about The Brighton Trunk Murder in Barbaric Murders along with many other gruesome real-life stories of child victims, lady-killers and bodies in boxes.
Chromaform
In its exhilarating rebound into three dimensions, color is asserting itself with a forcefulness not seen since the 1960s. The sculptures in Chromaform: Color in Sculpture are not merely colored but are of and about color as much as they are about materials and space, the more traditional concerns of sculptors. Whether applied, stained, cast, or found, color plays an essential role in all this work, which cares as much for the decorative and sexual as it does for the formal potential of color. Sculpture in the 1990s, as the artists seen here make evident, embraces the perceptual union of color and form. Addressing the formal, conceptual, and metaphorical functions of color in sculpture, the works in this book reveal diverse results, limitless possibilities, and a shift toward a more interdisciplinary art.
Infamous Murderers
Infamous murderers, their deeds horrifying yet intriguing, have always inspired a strange fascination. Their crimes repulse us, yet the more heinous the act, the more we crave information, and ultimately we elevate the perpetrator to celebrity status. The names of the often random and completely innocent victims are not always so easily recalled. Murderers are remembered for many different reasons. Some have struck out and killed for revenge, some in an uncontrollable jealous rage. Others have planned the murder out of greed, or with money in mind. Some acted out of pure hatred and rage. One thing they all have in common - they just have the urge to kill. Contents: Ancient Murder Mysteries including King John, Edward II, Mary Queen of Scots Fatal Families including The Duc de Praslin, Lizzie Borden, Dr Crippen, Ruth Ellis Political Assassinations including Brutus and Cassius, John Wilkes Booth, Lee Harvey Oswald Murder for Profit including Dick Turpin, Francois Courvoisier, James Hanratty, Jermey Bamber also including Poisonous Women, Madmen, Child Victims, Lady Killers, Bodies in Boxes
Perceptions of Medieval Manuscripts
Perceptions of Medieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time. This holistic approach allows us to tell the story of the book's life from the moment of its production to its use, collection, breaking-up, and digitization--all aspects of what can be termed 'dynamic architextuality'. Th...
Conceptualism and Materiality
Conceptualism and Materiality. Matters of Art and Politics underscores the significance of materials and materiality within Conceptual art and conceptualism more broadly. It challenges the notion of conceptualism as an idea-centered, anti-materialist enterprise, and highlights the political implications thereof. The essays focus on the importance of material considerations for artists working during the 1960s and 1970s in different parts of the world. In reconsidering conceptualism’s neglected material aspects, the authors reveal the rich range of artistic inquiries into theoretical and political notions of matter and material. Their studies revise and diversify the account of this important chapter in the history of twentieth-century art - a reassessment that carries wider implications for the study of art and materiality in general .
Queer Behavior
The first book to chart Scott Burton’s performance art and sculpture of the 1970s. Scott Burton (1939–89) created performance art and sculpture that drew on queer experience and the sexual cultures that flourished in New York City in the 1970s. David J. Getsy argues that Burton looked to body language and queer behavior in public space—most importantly, street cruising—as foundations for rethinking the audiences and possibilities of art. This first book on the artist examines Burton’s underacknowledged contributions to performance art and how he made queer life central in them. Extending his performances about cruising, sexual signaling, and power dynamics throughout the decade, Bu...
Small Worlds
Small Worlds examines the minimalist trend in French writing, from the early 1980s to the present. Warren Motte first considers the practice of minimalist in other media, such as the plastic arts and music, and then proposes a theoretical model of minimalist literature. Subsequent chapters are devoted to the work of a variety of contemporary French writers and a diversity of literary genres. In his discussion of minimalism, Motte considers smallness and simplicity, a reduction of means (and the resulting amplification of effect), immediacy, directness, clarity, repetition, symmetry, and playfulness. He argues that economy of expression offers writers a way of renovating traditional literary ...
Contemporary British Art
The last few decades have been among the most dynamic within recent British cultural history. Artists across all genres and media have developed and re-fashioned their practice against a radically changing social and cultural landscape – both national and global. This book takes a fresh look at some of the themes, ideas and directions which have informed British art since the later 1980s through to the first decade of the new millennium. In addition to discussing some iconic images and examples, it also looks more broadly at the contexts in which a new ‘post-conceptual’ generation of artists, those typically born since the late 1950s and 1960s have approached and developed aspects of t...
After Modern Art
A beautifully illustrated, new edition of this pioneering study of art since 1945. Focussing mainly on the relationship between American and European Art, this book offers an up-to-date introduction to the major artists and movements of recent years.
