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In Ethnographer and Contrarian, Peter Sutton's colleagues reflect on aspects of his life and work. The book begins with a set of biographical essays that provide an overview of Peter's life and career, including a fascinating account of his early years.
Sutton's colleagues reflect on aspects of his life and work, starting with a set of biographical essays. The second section focuses on his controversial book ""The Politics of Suffering"". The third section addresses Sutton's ground-breaking analysis of the transition between ""classical"" and ""post-classical"" social formations in Aboriginal Australia
Drawing on ethnography of Aboriginal and Torres Strait Islander communities across Australia, Mortality, Mourning and Mortuary Practices in Indigenous Australia focuses on the current ways in which indigenous people confront and manage various aspects of death. The contributors employ their contemporary and long-term anthropological fieldwork with indigenous Australians to construct rich accounts of indigenous practices and beliefs and to engage with questions relating to the frequent experience of death within the context of unprecedented change and premature mortality. The volume makes use of extensive empirical material to address questions of inequality with specific reference to mortality, thus contributing to the anthropology of indigenous Australia whilst attending to its theoretical, methodological and political concerns. As such, it will appeal not only to anthropologists but also to those interested in social inequality, the social and psychosocial consequences of death, and the conceptualization and manipulation of the relationships between the living and the dead.
Assumptions about the harmful nature of polygamy have left little room for debate, with monogamy coming to represent a hallmark of advanced societies, and polygamy the immoral alternative. Yet in this volume, eleven scholars ask whether this condemnation is justified by examining, among other perspectives, the lived experiences of polygamous families. In essays that fearlessly face difficult questions of choice, dignity, and love, the authors seek to complicate a conversation that is more often simplified. Thoughtful and persuasive, Polygamy's Rights and Wrongs is both a close consideration of polygamy and a challenging reflection on the ways in which we value family and intimacy.
Represents "the work of a curatorium consisting of Howard and Frances Morphy, Nigel Lendon and Jon Altman from the collections each has made during many years of researching Arnhem Land art and society"--p. 4.
Visual methods such as drawing, painting, video, photography and hypermedia offer increasingly accessible and popular resources for ethnographic research. In Working Images, prominent visual anthropologists and artists explore how old and new visual media can be integrated into contemporary forms of research and representation. Drawing upon projects undertaken both 'at home' in their native countries and abroad in locations such as Ethopia and Venezuela, the book's contributors demonstrate how visual methods are used in the field, and how these methods can produce and communicate knowledge about our own and other cultures. As well as focusing on key issues such as ethics and the relationship between word and image, they emphasize the huge range of visual methods currently opening up new possibilities for field research, from cartoons and graphic art to new media such as digital video and online technologies.
The Gift of Song: Performing Exchange in Western Arnhem Land tells the story of the return of physical and digital cultural materials through song and dance. Drawing on extensive, first-person ethnographic fieldwork in western Arnhem Land, Australia, Brown examines how Bininj/Arrarrkpi (Aboriginal people of this region) enact change and innovate their performance practices through ceremonial exchange. As Indigenous communities worldwide confront new social and environmental challenges, this book addresses the questions: How do Indigenous communities come to terms with legacies of taking and collecting? How are cultural materials in digital formats received and ritualised? How do traditional ...
Presents an ethnographical account of the way that song, dance and musical sensitivity weave into the lives of an aboriginal community of Australia. Invites the reader to rethink the place of ecology in music and emotion, and how emotions transcend cultural difference. It shows how sounds and the senses shape feelings for the land and seascape, exploring these themes in relation to Yolngu of north east Arnhem Land in Northern Australia. This rich ethnographic study makes a distinctive contribution to the tradition of anthropological analysis which focuses on the located nature of human sensual experience. FIONA MAGOWAN is a lecturer in Anthropology at Queen's University, Belfast Series editors: Wendy James and N. J. Allen Australia: University of Western Australia Press
Francesca Merlan examines the dynamics of difference that have existed between the settler majority and indigenous minority of Australia, from the events of early exploration to the present, shedding light on their unequal and changing relations over time.