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Ovid's Revisions
Scrutinizes Ovid's tendency to edit his major works and advertise their revised status, a distinctive feature of his literary career.
Ovid
Francesca Martelli surveys the contours of current scholarship on Ovid. Her appraisal covers the post-structuralist recuperation of Ovid's poetry that began in the 80s, and looks toward the narratives that posthumanism and other new materialist discourses have yet to disclose.
Souvenirs of Cicero
Cicero's letters have figured prominently in some of western modernity's most cherished illusions about the immediacy of its encounter with Classical antiquity. Celebrated since their discovery in the Renaissance for their intimate mode of self-expression, they have been prized ever since for the unparalleled proximity they appear to give us to the events and leading figures of the late Republic. However, they were only organized into books and collections, and published as such, by unknown editors long after Cicero's death. Modern editors have also dismantled these collections and reorganized the letters chronologically in an attempt to reconstruct the events that they document more accurat...
Ovid
Virgil, Horace and Ovid are often cited as the three great canonical poets of classical Roman literature. And of the three, arguably it is Ovid (43 BCE-CE 17/18) who has the most enduring legacy. Carole Newlands introduces her subject as an ancient author with a vital place in the modern cultural canon: and also as the inspiration behind figures as diverse as Chaucer, Titian, Dryden and Ted Hughes. She views Ovid as a Latin writer who is uniquely suitable for times of change: he appeals to postmodern sensibilities because of his interest in psychology, his fascination with cultural hybridity and his challenge to the conventional divide between animal and human. This book explores the connection between the historical poet and the works he produced: love elegies, the Metamorphoses and the Fasti. It shows that unlike Virgil - who wrote early in Augustus' reign, anticipating a golden age of peace and prosperity - Ovid was a product of the late Augustan age: one of hardening autocracy and the greater influence of Tiberius behind the scenes. His elegies and erotic myths must therefore be understood as the result of complex, shifting political circumstances.
Political Communication in the Roman World
This volume aims to address the question of political communication in the Roman world. It draws upon social sciences and the current trend for the historical study of political communication. The book tackles three main problems: What constitutes political communication in the Roman world? In what ways could information be transmitted and represented? What mechanisms made political communication successful or unsuccessful? This edited volume covers questions like speech and mechanisms of political communication, political communication at a distance, bottom-up communication, failure of communication and representation of political communication. It will be of help to specialists in the Roman world, but also to students and researchers of political sciences, and specialists of political communication in pre-industrial times.
Labor Imperfectus
Unfinishedness and incompleteness are a central feature of ancient Greek and Roman literature that has often been taken for granted but not deeply examined; many texts have been transmitted to us incomplete. How and to what extent has this feature of many texts influenced their aesthetic perception and interpretation, and how does it still influence them today? Also, how do various editorial arrangements of fragmentary texts influence the reconstruction of closure? These important questions offer the opportunity to bring together specialists working on Greek and Roman texts across various genres: epic, tragedy, poetry, mythographic texts, rhetorical texts, philosophical treatises, and the no...
Forgery Beyond Deceit
What do forgeries do? Forgery Beyond Deceit: Fabrication, Value, and the Desire for Ancient Rome explores that question with a focus on forgery in ancient Rome and of ancient Rome. Its chapters reach from antiquity to the twentieth century and cover literature and art, the two areas thatpredominate in forgery studies, as well as the forgery of physical books, coins, and religious relics. The book examines the cultural, historical, and rhetorical functions of forgery that extend beyond the desire to deceive and profit. It analyses forgery in connection with related phenomena likepseudepigraphy, fakes, and copies; and it investigates the aesthetic and historical value that forgeries possess when scholarship takes seriously their form, content, and varied uses within and across cultures. Of particular interest is the way that forgeries embody a desire for the ancient and forthe recovery of the fragmentary past of ancient Rome.
Reading Roman Pride
This book explores the uniquely Roman articulation of pride as a negative emotion and traces its partial rehabilitation that begins in the texts of the Augustan poets at the time of great political change using a combination of a lexical approach and a script-based approach that considers the emotion as a process.
Ovid's Revisions
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On Ovid's Metamorphoses
Ovid’s Metamorphoses has entranced audiences for two thousand years, from Rome under Augustus to humanities classrooms today. Borrowing liberally from Greek and Roman mythology, the poem tells hundreds of stories that share one essential theme: each tale depicts a transformation from one physical form into another. Drawing on many years of teaching the Metamorphoses, Gareth Williams offers a brisk and lively reading of the poem that emphasizes why it speaks in compelling ways to a twenty-first-century audience. He shows how the Metamorphoses is not just a colorful collection of stories about change but an exploration of change itself. Ovid challenges us to recognize flux as fundamental to human experience: circumstances shift, fortunes ebb and flow, and our very identities ceaselessly evolve across from one life stage to another. Capturing the energy and excitement that Ovid’s poem generates among readers, Williams also sheds new light on its modern provocations. His fresh interpretations of the Metamorphoses reveal its power to enrich and inform our daily existence amid the uncertainties of life today.
