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all art has been contemporary Editoriale a cura di Vittoria Magnoler e Lucrezia Not Piersandra Di Matteo, I Patti Lateranensi: sconfessare il Corpus Mysticum e il corpo del Capo. Un affondo sull’Episodio romano della Tragedia Endogonidia. Vito Ancona, Alberto Burri e la danza della materia. Lo spazio scenico di Spirituals per orchestra (1963) e November Steps (1973). In Your Face. Anagoor: un esercizio. Con la collaborazione degli studenti Iuav, a cura di Silvia De Min. Massimo Munaro, Presentazione di: La Tetralogia del Lemming. Il mito e lo spettatore, Il Ponte del Sale, 2021. Con una Nota per lo spettatore di Piermario Vescovo. Presentazione di: La camera meravigliosa. Per un atlante de...
In che modo e in quale misura l’Esquilino è al tempo stesso lo spazio del degrado, della convivenza interetnica e della cittadinanza attiva raccontato da siti web, televisione e stampa periodica? In una prospettiva di ampio senso, quali immagini parallele ne emergono dalla letteratura, dall’arte, dal cinema, dalla musica, dai cosiddetti social? Quali connotati gli attribuisce la gente che ci vive e lavora? Cosa rende l’Esquilino uno spazio attrattivo per abitarci o per svolgere attività economiche, culturali o sociali? Questo libro racconta l’Esquilino utilizzando non solo documenti storici, dati statistici e cartografie, ma anche le rappresentazioni che ne sono state fornite (sotto forma di immagini, articoli della stampa periodica, film, opere letterarie, manifestazioni artistiche) e le auto-rappresentazioni di abitanti e attori locali.
Jessica Dimmock's documentation of drug users in a New York shooting gallery.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
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The limited edition book features a reproduction tipped into the cloth cover of the book.
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On 30 December 1935, thirty-one year old Rukmini Devi created history with her performance of Sadir, later known as Bharata Natyam, which had until then been confined to temple precincts and was the preserve of devadasis. A celebrated artiste and dancer, she was also a Theosophist, a composer of acclaimed dance-dramas, an educationist, an animal welfare and child rights activist, and a nominated member of the Rajya Sabha. This rich biography illuminates her many lives. Rukmini's early life was in the districts of Madras presidency where her father, an engineer, was posted, and it took many dramatic turns: her marriage in 1920 to George Arundale, a Theosophist and family friend, caused public outrage, particularly among the Madras brahmins. She was closely associated with Annie Besant, who became her mentor, and her meeting with Anna Pavlova inspired her to learn dance. Rukmini went on to establish Kalakshetra, an academy of arts, in 1936, which grew and flourished, and is renowned to this day for its classicism in dance training and performance-a tribute to her skill as an institution builder.