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Photography After Frank
Presents the author's view of contemporary photography in the United States from the 1950s with the work of Robert Frank to the present day. Frank looked beneath the surface of American life to reveal a people plagued by racism, ill-served by their politicians and rendered numb by a rapidly expanding culture of consumption. Yet Frank also found novel areas of beauty in simple, overlooked corners of American life. His subject matter--cars, jukeboxes and even "the road" itself-- redefined the icons of America.
No Title Here
Inspired by his bizarre encounters with the odd and the unusual in Asbury Park, New Jersey, made famous by Bruce Springsteen, Mermelstein vigorously prowled the streets of New York City in the mid-1980s, snapping up scenes of vivid colour, glitz, artifice and unrelenting ugliness. Attracted to the surreal and outlandish, including everything from dog shows to grand openings of malls, Mermelstein took his project across the decades and across the country, resulting in this bizarre catalogue of the wacky, quirky, oddly lyrical sights of America. 75 full-colour photos.
Temple of Confessions
Mexican Beasts and Living Santos This beautiful and extraordinary book is the result of a collaboration between two of the US's most widely acclaimed multimedia/performance artists. Illustrated throughout with numerous line drawings and photographs, many in full colour, it is based around a performance piece of the same name but stands on its own as a fascinating insight into Mexican and Mexican-American culture. Includes CD and tattoo transfer.
The Art Directors Annual 88
View the year's most innovative works in visual communication, in stunning, full color. The winners of the Art Directors Club Annual Awards are showcased here.
American Sports, 1970
A collection of black-and-white photographs showing fans taking in America's sporting events, and represents the social landscape at the height of the Vietnam War.
Theories and Documents of Contemporary Art
An essential text in the field of contemporary art history, it has now been updated to represent 30 countries and over 100 new artists. The internationalism evident in this revised edition reflects the growing interest in contemporary art throughout the world from the U.S. and Europe to the Middle East, Asia, Africa, Latin America, and Australia.
Silent Exodus
Forty-year-old university professor Stuart Treece is rather set in his ways, and in the midst of the changing attitudes of the ’50s, his encounters with the younger generation are making him feel decidedly alien. When he falls disastrously in love with one of his students all his efforts to acclimatize are hilariously undermined. Timeless and brilliant, Eating People is Wrong is Malcolm Bradbury’s first novel, and established him as a master of satire.
The Highlights Book of Things to Do
Crafted by childhood experts, The Highlights Book of Things to Do is the essential book of pure creativity and inspiration, filled with over 500 screen-free things to do with kids. From future chefs and scientists to budding humanitarians, children ages 7 and up will be inspired to explore, invent, create and do great things! This highly visual, hands-on activity book will banish boredom, foster imagination and unlock new interests. Your child can try engaging outdoor ideas like starting a bucket garden; tasty projects like making rock candy; science activities like building a water microscope; and so much more. Organized by interest and covering all aspects of childhood, chapters include: T...
Monopolies Suck
"An urgent and witty manifesto, Monopolies Suck shows how monopoly power is harming everyday Americans and practical ways we can all fight back."--
Arthur Tress
This richly illustrated volume is the first critical look at the early career of Arthur Tress, a key proponent of magical realism and staged photography. Arthur Tress (b. 1940) is a singular figure in the landscape of postwar American photography. His seminal series, The Dream Collector, depicts Tress’s interests in dreams, nightmares, fantasies, and the unconscious and established him as one of the foremost proponents of magical realism at a time when few others were doing staged photography. This volume presents the first critical look at Tress’s early career, contextualizing the highly imaginative, fantastic work he became known for while also examining his other interrelated series: Appalachia: People and Places; Open Space in the Inner City; Shadow; and Theater of the Mind. James A. Ganz, Mazie M. Harris, and Paul Martineau plumb Tress’s work and archives, studying ephemera, personal correspondence, unpublished notes, diaries, contact sheets, and more to uncover how he went from earning his living as a social documentarian in Appalachia to producing surreal work of “imaginative fiction.” This abundantly illustrated volume imparts a fuller understanding of
