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Wider Boundaries of Daring
Wider Boundaries of Daring: The Modernist Impulse in Canadian Women’s Poetry announces a bold revision of the genealogy of Canadian literary modernism by foregrounding the originary and exemplary contribution of women poets, critics, cultural activists, and experimental prose writers Dorothy Livesay, P.K. Page, Miriam Waddington, Phyllis Webb, Elizabeth Brewster, Jay Macpherson, Anne Wilkinson, Anne Marriott, and Elizabeth Smart. In the introduction, editor Di Brandt champions particularly the achievements of Livesay, Page, and Webb in setting the visionary parameters of Canadian and international literary modernism. The writers profiled in Wider Boundaries of Daring are the real founders ...
Building Wealth
This book holds top secrets on how you can build real wealth and explains in accessible terms: The Mindset of Wealth Power Earning Investing in Real Estate Family Development Mastery “Wealth isn’t about money. All my adult life, people have asked me, ‘Robert, how did you make money? How did you become wealthy?’ I’ve shared that with them—and now with you. First of all, I want you to understand that those are two different questions. Yes, of course, money can help you create wealth. But wealth is far more than a number on your bank statement. So if wealth isn’t about money, what exactly is it? Wealth is independence. Real wealth is the ability to live your life on your own terms. It’s the freedom to switch careers, spend time with your family, improve your community, and make a difference in the world. Building Wealth will help you not only to reach your own financial goals, but also to attain this level of wealth.”—Robert Barbera
The Soul of a Child
The Soul of a Child places brilliant educator and reformer Maria Montessori in the context of her time. It examines the relationships, inner struggles, and inspirations of Montessori, a woman with heart, empathy, and resilience. As a strong woman who lived through two world wars, the rise of Fascism in Spain and Italy and the dawn of the nuclear age, she remained undeterred in her faith in the possibility of positive change through education. Her life spanned both the joys of innovation and the horrors of destruction of the twentieth century. Her influence on education and humanism remains resonant and enduring.
The Flesh and the Spirit
"You say, the times are troublesome, the times are burdensome, the times are miserable. Live rightly and you will change the times. The times have never hurt anyone. Those who are hurt are human beings; those by whom they are hurt are also human beings. So, change human beings and the times will be changed." —St. Augustine of Hippo, Sermon 311, 8 Growing up on the northernmost edge of the African continent, young Augustine had never known a life without trouble and conflict. Whether between political factions within the Roman Empire, his pagan father and Catholic mother, or even divisions within the Church herself, Augustine’s world abounded with cultural, ideological, and spiritual contradictions. Then there were the battles that waged within—those between flesh and spirit, intellect and faith. Choosing a path of self-indulgence, Augustine hurt the ones he loved the most: his pious mother, socially unacceptable lover, and out-of-wedlock son. Miserable and hollow, he sought and found a new life with Christ. His transformation forever changed the Church and his example continues to guide us through our own troubled, burdensome, and miserable times.
At Last
The golden age of the Hollywood musical celebrated through the life of unsung hit-maker Harry Warren. Eliciting a swell of nostalgia, Harry Warren’s jaunty melodies lift our spirits as much today as they did for Depression-era moviegoers. Navigating a business already known for its glamour, excess, and ruthless business practices, Warren quietly but resplendently helped create a new American art form. A self-taught musician, Warren was nominated for eleven best original song Academy Awards and took home three Oscars. He composed twenty musicals including 42nd Street and unforgettable American standards such as "We’re in the Money," "Chattanooga Choo Choo," and “That’s Amore.” At Last brings readers on a journey through yesteryear's Tin Pan Alley, Busby Berkeley set pieces, cocktails with the Gershwins, and the creative and collaborative process of a prolific musical genius.
Relentless Visionary
If asked to list important inventors, few remember to include Alessandro Volta. Yet, his is a household name more spoken than that of Alexander Graham Bell, the Wright Brothers, or even Thomas Edison. That’s because the terms “volt” and “voltage” can be attributed to Volta, the inventor of the “Voltaic pile,” which is recognized as the first electric battery. A product of the Age of Enlightenment—a time when ideas about reason, science, literature and liberty took center stage—Volta employed a very modern, hands-on approach to his work. Though he had no formal education, he was the first person to identify the gas known as methane, and created the first authoritative list of conducting metals. Alessandro Volta saw things not just as they were, but as what they could be. He was a disrupter, an innovator and a visionary. Above all, he was relentless. Without Volta’s hunger to create and his drive to invent and discover, we might not have electric cars, laptops, cellphones, and hearing aids today.
The Making of a Prince
Imprisoned, tortured, and forced into exile, he fought to clear his name. Instead, it would be misunderstood forever. Born into a modest family in fifteenth-century Florence, Niccolò Machiavelli navigated his way through the violence and political uncertainty of Renaissance Italy. Recognized for his keen mind and understanding of human nature and government, Machiavelli courted kings and popes as the leading ambassador for his beloved Republic. But it was a time of treachery, collusion, and war. Wrongfully accused and convicted, Machiavelli lost everything when the Medici returned to power, except his mind and his quill. Hoping to write his way back into Florentine society, he drew upon his experiences and the villains of his time in his novellas, histories, plays, and political treatises such as the Discourses on Livy, The Art of War, and his irreverent masterpiece, The Prince, earning his place in history as the father of modern political science.
What a Woman Can Do
Weary of hearing what a woman couldn’t do, she had no choice but to show them what she could. Four centuries later, the world finally noticed. Though she was “just a girl,” Artemisia Gentileschi’s father recognized and nurtured his daughter’s raw talent and escorted her into the male-dominated elite circle of seventeenth-century fine artists. Later dishonored in the most humiliating way and betrayed by her father for the sake of his own reputation and fortune, the Caravaggio-inspired teenager summoned the fortitude to confront the monster who had stolen her virtue in a very public months-long trial. At a time when a woman’s reputation meant everything, Artemisia was considered damaged goods. Undeterred, she forged a daring path, earning a living through commissions from popes and cardinals, dukes and duchesses, kings and queens. Though traditionally objectified in art, Artemisia’s brushstrokes celebrated women’s strength and defiance. For centuries, her father got credit for many of her paintings, but today they stand on their own merit, their creator’s dishonor and personal tragedies lost to time. Until now.
