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The Practitioner
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Pen and Plow
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Medical Record
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Medical record
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The Leopard
The Leopard is a modern classic which tells the spellbinding story of a decadent, dying Sicilian aristocracy threatened by the approaching forces of democracy and revolution. 'There is a great feeling of opulence, decay, love and death about it' Rick Stein In the spring of 1860, Fabrizio, the charismatic Prince of Salina, still rules over thousands of acres and hundreds of people, including his own numerous family, in mingled splendour and squalor. Then comes Garibaldi's landing in Sicily and the Prince must decide whether to resist the forces of change or come to terms with them. 'Every once in a while, like certain golden moments of happiness, infinitely memorable, one stumbles on a book or a writer, and the impact is like an indelible mark. Lampedusa's The Leopard, his only novel, and a masterpiece, is such a work' Independent INCLUDES RECENTLY DISCOVERED NEW MATERIAL 'Perhaps the greatest novel of the century' L.P. Hartley 'The poetry of Lampedusa's novel flows into the Sicilian countryside...a work of great artistry' Peter Ackroyd
Cutting the Mass Line
Explores the growing water supply crisis through an ethnographic study of a rural minority community in China threatened by climate change. China is experiencing climate whiplash—extreme fluctuations between drought and flooding—that threatens the health and autonomy of millions of people. Set against mounting anxiety over the future of global water supplies, Cutting the Mass Line explores the enduring political, technical, and ethical project of making water available to human communities and ecosystems in a time of drought, infrastructural disrepair, and environmental breakdown. Anthropologist Andrea E. Pia explores essential questions of how to manage water resources from the vantage ...
Women's Writing in Italy, 1400–1650
Winner, 2009 Best Book Award, Society for the Study of Early Modern WomenWinner, 2008 PROSE Award for Best Book in Language, Literature, and Linguistics. Professional and Scholarly Publishing Division of the Association of American Publishers This is the first comprehensive study of the remarkably rich tradition of women’s writing that flourished in Italy between the fifteenth and early seventeenth centuries. Virginia Cox documents this tradition and both explains its character and scope and offers a new hypothesis on the reasons for its emergence and decline. Cox combines fresh scholarship with a revisionist argument that overturns existing historical paradigms for the chronology of early modern Italian women’s writing and questions the historiographical commonplace that the tradition was brought to an end by the Counter Reformation. Using a comparative analysis of women's activities as artists, musicians, composers, and actresses, Cox locates women's writing in its broader contexts and considers how gender reflects and reinvents conventional narratives of literary change.
