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Hypnerotomachia Poliphili
First published in the English language in 1999, the allegorical and mythological romantic tale from Renaissance-era Italy, best known for its reflection of period art and culture and its inspiration for The Rule of Four, follows the quest of Poliphilo for his beloved Polia, in an edition complemented by 174 woodcut illustrations. Reprint.
The Allegory of Love in the Early Renaissance
Described as ‘the most beautiful book ever printed’ previous research has focused on the printing history of the Hypnerotomachia and its copious literary sources. This monograph critically engages with the narrative of the Hypnerotomachia and with Poliphilo as a character within this narrative, placing it within its European literary context. Using narratological analysis, it examines the journey of Poliphilo and the series of symbolic, allegorical, and metaphorical experiences narrated by him that are indicative of his metamorphosing interiority. It analyses the relationship between Poliphilo and his external surroundings in sequences of the narrative pertaining to thresholds; the symbolic architectural, topographical, and garden forms and spaces; and Poliphilo’s transforming interior passions including his love of antiquarianism, language, and Polia, the latter of which leads to his elegiac description of lovesickness, besides examinations of numerosophical symbolism in number, form, and proportion of the architectural descriptions and how they relate to the narrative.
Hypnerotomachia Poliphili
The book that inspired Ian Caldwell's bestselling The Rule of Four—discover the secret codes of the best-selling novel! One of the most famous books in the world, the Hypnerotomachia Poliphili, read by every Renaissance intellectual and referred to in studies of art and culture ever since, was first published in English by Thames & Hudson in 1999. It is a strange, pagan, pedantic, erotic, allegorical, mythological romance relating in highly stylized Italian the quest of Poliphilo for his beloved Polia. The author (presumed to be Francesco Colonna, a friar of dubious reputation) was obsessed by architecture, landscape, and costume—it is not going too far to say sexually obsessed—and its 174 woodcuts are a primary source for Renaissance ideas on both buildings and gardens. In 1592 an attempt was made to produce an English version but the translator gave up. The task has been triumphantly accomplished by Joscelyn Godwin, who succeeds in reproducing all its wayward charm and arcane learning in language accessible to the modern reader.
The Rule of Four
“One part The Da Vinci Code, one part The Name of the Rose and one part A Separate Peace . . . a smart, swift, multitextured tale that both entertains and informs.”—San Francisco Chronicle NEW YORK TIMES BESTSELLER Princeton. Good Friday, 1999. On the eve of graduation, two friends are a hairsbreadth from solving the mysteries of the Hypnerotomachia Poliphili, a Renaissance text that has baffled scholars for centuries. Famous for its hypnotic power over those who study it, the five-hundred-year-old Hypnerotomachia may finally reveal its secrets—to Tom Sullivan, whose father was obsessed with the book, and Paul Harris, whose future depends on it. As the deadline looms, research has st...
Hypnerotomachia Poliphili
Hypnerotomachia Poliphili (/hiːpˌnɛəroʊtəˈmɑːkiːə pəˈliːfəˌliː/; from Greek ὕπνος hýpnos 'sleep', ἔρως érōs 'love', and μάχη máchē 'fight'), called in English Poliphilo's Strife of Love in a Dream or The Dream of Poliphilus, is a romance said to be by Francesco Colonna. It is a famous example of an incunable (a work of early printing). The work was first published in 1499 in Venice. This first edition has an elegant page layout, with refined woodcut illustrations in an Early Renaissance style. Hypnerotomachia Poliphili presents a mysterious arcane allegory in which the main protagonist, Poliphilo pursues his love, Polia, through a dreamlike landscape. In the end, he is reconciled with her by the "Fountain of Venus"
The Allegory of Love in the Early Renaissance
"Described as 'the most beautiful book ever printed' previous research has focused on the printing history of the Hypnerotomachia and its copious literary sources. This monograph critically engages with the narrative of the Hypnerotomachia and with Poliphilo as a character within this narrative, placing it within its European literary context. Using narratological analysis, it examines the journey of Poliphilo and the series of symbolic, allegorical, and metaphorical experiences narrated by him that are indicative of his metamorphosing interiority. It analyses the relationship between Poliphilo and his external surroundings in sequences of the narrative pertaining to thresholds; the symbolic architectural, topographical, and garden forms and spaces; and Poliphilo's transforming interior passions including his love of antiquarianism, language, and Polia, the latter of which leads to his elegiac description of lovesickness, besides examinations of numerosophical symbolism in number, form, and proportion of the architectural descriptions and how they relate to the narrative"--
Hypnerotomachia: The Strife of Loue in a Dreame
DigiCat Publishing presents to you this special edition of "Hypnerotomachia: The Strife of Loue in a Dreame" by Francesco Colonna. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
