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"This collection of essays by artists and mathematicians continues the discussion of the connections between art and mathematics begun in the widely read first volume of The Visual Mind in 1993."--BOOK JACKET.
"Labics, based in Rome, is a leader among Italy's up-and-coming architecture firms and has gained great international acclaim for submissions to competitions and a number of realized projects. This first-ever monograph on Labic's fast growing, impressive body of work features some twenty of their designs, representing the entire range of the firm's achievements. The selection comprises housing and office buildings, museums and cultural centers, schools, public spaces, and subway stations, located in Bosnia and Herzegovina, Finnland, Iran, Italy, Saudi Arabia, Switzerland, and the UK. All are documented with atmospheric photographs and a wealth of plans and diagrams to illustrate concept and many details of each project. Structure, in a variety of notions of the term, is guiding Labics' approach. Consequently, the book is arranged in five chapters exploring geometric, bearing, circulation, public space, and urban and territorial structures in topical essays. This provides the frame for the featured projects, all of which exemplify the importance of the respective type of structure for Labics' work". (éditeur).
At Dwell, we're staging a minor revolution. We think that it's possible to live in a house or apartment by a bold modern architect, to own furniture and products that are exceptionally well designed, and still be a regular human being. We think that good design is an integral part of real life. And that real life has been conspicuous by its absence in most design and architecture magazines.
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Does Italian architecture exist? What characterizes it? What values and objectives do you refer to when designing your architecture and why? These are the questions recently put to twenty cutting-edge architectural firms working in Italy today. The answers come together in Italy Now? Country Positions in Architecture, which presents the architects' written responses in parallel with their design work. Edited by Alberto Alessi, the book also contains critical essays by Pier Vittorio Aureli and Gabriele Mastrigli. Noted Italian photographers Gabriele Basilico, Francesco Jodice, Armin Linke, and Alberto Muciaccia have contributed their visions of Italy--the land and people as well as the architecture--to deepen the context of this book. Based on an exhibit held at Cornell University as well as on two related conferences, one in Ithaca and the other in New York City, Italy Now? offers an intriguing look at contemporary Italian architecture--its physical expression and the thinking behind it.
Italienische Innenarchitektur zeichnet sich seit Jahrzehnten durch eine besondere Innovationskraft und Risikobereitschaft aus, nicht nur auf der ästhetischen Ebene, sondern auch bei der Verwendung von neuen Materialien und deren Kombination. Bereitwilliger als anderswo werden hier Einflüsse von Kunst und Design aufgegriffen; die Entwerfenden lassen die Grenzen zwischen diesen Disziplinen mal provokativ, mal subtil verschwimmen. Nicht zuletzt deshalb sind ihre Kreationen für die Ausgestaltung von Restaurants und Geschäften, Privatwohnungen und Hotels, Büros und Museen weltweit gefragt und erweisen sich oftmals als Trendsetter. Das Buch zeigt eine Auswahl neuester Entwürfe, die von 2000 bis 2009 in Italien und anderen Ländern, darunter den USA, Frankreich, Großbritannien, Israel und Dubai, realisiert wurden. Unter den vertretenen Architekten und Gestaltern sind Altmeister wie Renzo Piano, Michele De Lucci und Giorgio Armani, aber auch Vertreter der jungen Generation. Zu den besonderen Merkmalen des Bandes gehört eine umfangreiche Dokumentation durch technische Zeichnungen und Detailfotos.
Many of the architects responsible for modern-day Rome--such as Hadid, Fuksas, Baldeweg, and Meier--have reached international stature. Many contemporary Italian architects--such as King Roselli, Labics, and IaN+--use Rome as a lab for testing their ideas. While some might note the weakness of the residential sector in attracting architectural quality, it is hard to escape the growing attention paid to public spaces and infrastructures. This volume surveys Rome's varied architectural landscape and contains over forty projects and a map, demonstrating how the geography of the city is evolving, and how quality can be found both in the center and on the edge of town.