You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In this first monograph on E. T. A. Hoffmann and opera, Francien Markx examines Hoffmann’s writings on opera and the challenges they pose to established narratives of aesthetic autonomy, the search for a national opera, and Hoffmann’s biography. Markx discusses Hoffmann’s lifelong fascination with opera against the backdrop of eighteenth-century theater reform, the creation of national identity, contemporary performance practices and musical and aesthetic discourses as voiced by C. M. von Weber, A. W. Schlegel, Heine, and Wagner, among others. The book reconsiders the traditional view that German opera followed a deterministic trajectory toward Wagner’s Gesamtkunstwerk and reveals a cosmopolitan spirit in Hoffmann’s operatic vision, most notably exemplified by his controversial advocacy for Spontini in Berlin.
Band 50 des Lessing Jahrbuchs ist ein Sonderband zum Thema "Die Aufklärung und die Geschichte der Natur" und enthält Beiträge zu Lessings kritischer Auseinandersetzung mit den Naturvorstellungen seiner Zeit: Lessing und Mylius` Natur-Konzept; Naturvorstellungen in der biblischen Dichtung des 18. Jahrhunderts; Pflanzen und Emotionen bei Buffon, Linnaeus und Humboldt; Sophie von La Roches "Erscheinungen am See Oneida"; Herders Kritik des teleologischen Historizismus Kants; Andreas Riems Klima-Theorie, und Goethes Wissenschaft der Natur.
New essays on diverse topics from the Age of Goethe, with a special section on Goethe scholarship's role in the establishment of Germanistik. The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 19 of the Goethe Yearbook continues to investigate the connection between Goethe's scientific theories and his aesthetics, with essays on his optics and his plant morphology. A special section examines the central role that Goethe philology...
A unique window on the world of nineteenth-century amateur music-making provided by the study of domestic musical arrangements of opera.
In What the Ballad Knows, author Adrian Daub elucidates the complex relationship between ballads and nationalism in 19th century German culture.
Examines literary, philosophical, and cultural influences on Mahler's thought and work from the standpoint of the composer's position in German-Jewish culture.
A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
A major contribution to Grass scholarship that looks at his career as a whole and identifies four phases or stages of his writing in terms of communicative strategy and style.
Reveals how the Holy Roman Empire's cultural networks c. 1800 underpinned the transnational spread of music for the German-language stage.
Cutting-edge scholarly articles on diverse aspects of Goethe and his age, featuring in this volume a special section on the poetics of space in the Goethezeit. The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 24 features a special section titled "The Poetics of Space in the Goethezeit," co-edited by John Lyon and Elliott Schreiber, with contributions on blind spots in Goethe's Elective Affinities; on the topography and topoi of...