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Francis Bacon
Francis Bacon is considered to be one of the most important figure and portrait painters in Britain in the 20th century. This book places all aspects of his output in relation to his life, examining in depth the effects of his homosexuality and raunchy lif
Francis Bacon: Discovery and the Art of Discourse
A New York socialite who wasn't interested in fortune or fame? That was Judy Lovin who valued friendship, integrity and her career as a preschool teacher. Then her father's business collapsed, and his most powerful enemy offered to help, but under the condition that Judy would accompany him to a remote Caribbean island as his companion - nothing more. Since it meant so much to her family, Judy agreed. She suspected that he was probably a harmless lonely man. But she was so wrong. She didn't expect to meet a powerful, attractive loner who would stun her senses and capture her heart.
Francis Bacon
This is the first extensive one-volume anthology of Bacon's writings since 1905. It includes the major English literary works on which his reputation rests: the Advancement of Learning (1605), the Essays (1597 and 1625), and the posthumously published New Atlantis (1626). In addition it reprints sixteen other works which are not otherwise available, which show Bacon's remarkable all-round abilities in politics, law, theology, and poetry. A special feature of the edition is its extensive annotation, which identifies Bacon's sources and allusions (in the Bible, in classical literature, and in Renaissance texts). It also provides full explanation of Bacon's vocabulary, which is as rich as Shakespeare's, but far less familiar. Detailed headnotes recreate the political and intellectual contexts in which these works were produced.
The Works of Francis Bacon
The complete writings of English philosopher Francis Bacon are arranged according to subject matter in this 1857-74 edition.
Francis Bacon and the Loss of Self
According to most of the critical commentary on Francis Bacon, the paintings by this crucially important artist are about violence, torment, fragmentation and loss. However, Ernst van Alphen argues that it is the violence done to the viewer that needs to be addressed if we are to understand how these works function. In this provocative and highly original interpretation of Bacon's art, the author offers close readings of significant works, discussing them in relationship to theories of schizophrenia, masculinity and contemporary literature, as well as issues of representation and visuality. By looking at the paintings in intricate detail and exploring their connections within cultural theory, van Alphen brings Bacon into the context of the contemporary critical debate. "This examination of critical reactions to Bacon is very welcome" The Art Newspaper"
