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'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
An innovative radical interpretation of the life and works of Jose Rizal, the national hero of the Philippines, the "pride of the Malay race," in the context of crisis in the neocolony and world revolution against imperialism at the beginning of the twenty-first century. This supplements the author's earlier book, Rizal in Our Time, Revised Edition (Manila: Anvil Publishing, 2011).
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Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
"Typewriter Altar is a story of the power of recollection, re-membrance, and redemption. It begins with the narrator’s recurring dream. Books with wordless pages are strewn everywhere in an empty, old house wherein a mood of abandonment reigns. In the dream, Laya thinks she can hear her parents’ voices, but silence would follow as soon as she attempts to trace these sounds. Always, she would wake up, and the emptiness of that house and those pages seem accusatory. We find out that Laya has abandoned her pen, and her dream of writing, because she opted to pursue domestic bliss. Ironically that dream is also unrealized -- Laya, like many Filipinas of her age and class, does not have her own home, has a humdrum job, and secretly wishes her soul could wander somewhere else. This insight leads Laya into remembering her childhood home and her parents’ early years in marriage. In the work, memory bleeds into the then and the now, ushering the reader into a ringside glimpse of an artist’s life."--Page 4 of cover.