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The E.M.G. Story
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Busking the Gospel
Busking the Gospel undertakes an in-depth theological reflection on Ministry in Secular Employment and offers practical help to enable such clergy (and the Church generally) to grow in the awareness of the creative scope and potential of this ministry.
Bacon in Moscow
'A rollicking cultural adventure... fascinating and true' Grayson Perry This funny and personal memoir is the account of an audacious attempt by James Birch, a young British curator, to mount the ground-breaking retrospective of Francis Bacon's work at the newly refurbished Central House of Artists, Moscow in 1988. Side-lined by the British establishment, Birch found himself at the heart of a honey-trap and the focus for a picaresque cast of Soviet officials, attachés and politicians under the forbidding eye of the KGB as he attempted to bring an unseen western cultural icon to Russia during the time of 'Glasnost', just before the fall of the Berlin Wall. Bacon in Moscow is the story of the evolution of an exhibition that was at the artistic and political heart of a sea of change that culminated with the fall of the USSR. 'A rollicking cultural adventure before the fall of the Berlin Wall and the meteoric rise of contemporary art in the nineties' Grayson Perry
The Hancocks of Marlborough
This book began with the aim of telling the almost forgotten story of Thomas Hancock, the rubber developer who in his own day was acknowledged as one of the great scientific pioneers of the Industrial Revolution. But as research progressed, it was clear that Thomas and his five brothers, the Hancocks of Marlborough, together constituted a unique family which made a tremendous yet virtually unknown contribution to nineteenth-century science and art. Walter designed and ran the first steam carriages to carry passengers on the common roads of England and so began the age of mechanized transport. Thomas founded the UK rubber industry when he discovered how to vulcanize rubber reliably; his compa...
Common and Uncommon Quotes: A Theory and History of Epigraphs
'Common and Uncommon Quotes: A Theory and History of Epigraphs' is a prolegomenon to the study of epigraphic paratextuality. Building on the work of Gerard Genette’s paratextual studies, this volume contextualizes and traces the practice of epigraphy in Anglophone literary history, from the fifteenth to the early twentieth century. This study explores how epigraphs are used by author-functions as a hermeneutic for their text and to establish ethos with their audience, and how that paratextual relationship changed as publishing opportunities and literacy rates grew over four centuries. The first broad-reaching study of this kind, 'Common and Uncommon Quotes' seeks to understand how epigraphs work: through their privilege on the page, their appeal to conjured ideas of the past, and their calls to citizenship.
