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Highly acclaimed for its comprehensive coverage of the aviation industries and their products, from the turn of the century to the present, this popular series includes an abundance of photos and highly accurate line drawings. Each volume provides fascinating evaluations of aircraft design and construction and complete histories of aircraft manufacturers.
A bold and brilliant short work by the author of Grief is the Thing with Feathers and Lanny.Madrid. Unfinished.Man Dying.A great painter lies on his deathbed.Max Porter translates into seven extraordinary written pictures the explosive final workings of the artist's mind.
In this volume we witness Wittgenstein in the act of composing and experimenting with his new visions in philosophy. The book includes key explanations of the origin and background of these previously unknown manuscripts. It investigates how Wittgenstein’s philosophical thought-processes are revealed in his dictation to, as well as his editing and revision with Francis Skinner, in the latter’s role of amanuensis. The book displays a considerable wealth and variety of Wittgenstein’s fundamental experiments in philosophy across a wide array of subjects that include the mind, pure and applied mathematics, metaphysics, the identities of ordinary and creative language, as well as intractabl...
Vols. for 1963- include as pt. 2 of the Jan. issue: Medical subject headings.
'Passionate, challenging, tumultuously articulate . . . Fascinating.' John Carey, Sunday Times 'A wonderful, effortlessly brilliant book.' Evening Standard 'A rare gem, a book that carries conviction by being honest all the way through.' John Gray, Independent If Christianity is anything, it's a refusal to see human behavior as ruled by the balance sheet. We're not supposed to see the things we do as adding up into piles of good and evil we can subtract from each according to some kind of calculus to tell us how, on balance, we're doing. Unapologetic is a book for those curious about how faith can possibly work in the twenty-first century. But it isn't an argument that Christianity is true - because how could anyone know that (or indeed its opposite)? It's an argument that Christianity is recognisable, drawing on the deep and deeply ordinary vocabulary of human feeling, satisfying those who believe in it by offering a ruthlessly realistic account of the bits of our lives advertising agencies prefer to ignore.