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Traces the life and career of the American mystery writer, discusses his novels and major short stories, and describes his influence on the film noir genre
Edgar Award-winning authorNevins is at home with both short stories and novels. To prove it he's offering his many readers the best of his stories that have appeared in the major magazines over the years.
A collection of puzzling whodunits featuring Sister Ursula and Nick Noble, from the author of Nine Times Nine and “a fine craftsman” (Ellery Queen). Anthony Boucher was a literary renaissance man: an Edgar Award–winning mystery reviewer, an esteemed editor of the Hugo Award–winning Magazine of Fantasy and Science Fiction, a prolific scriptwriter of radio mystery programs, and an accomplished writer of mystery, science fiction, fantasy, and horror. With a particular fondness for the locked room mystery, Boucher created such iconic sleuths as Los Angeles PI Fergus O’Breen, amateur sleuth Sister Ursula, and alcoholic ex-cop Nick Noble. This anthology features some of Boucher’s most ...
Explores American Joseph H. Lewis's eclectic career, including his best-known film, Gun Crazy. Joseph H. Lewis enjoyed a monumental career in many genres, including film noir and B-movies (with the East Side Kids) as well as an extensive and often overlooked TV career. In The Films of Joseph H. Lewis, editor Gary D. Rhodes, PhD. gathers notable scholars from around the globe to examine the full range of Lewis's career. While some studies analyze Lewis's work in different areas, others focus on particular films, ranging from poverty row fare to westerns and "television films." Overall, this collection offers fresh perspectives on Lewis as an auteur, a director responsible for individually uni...
Clarence E. Mulford spent his creative years, writing a vast saga of interlocking novels and stories, most of them dealing with the Bar-20 ranch and the men who called it home, chief among them a certain Hopalong Cassidy. Eventually Mulford's works became the nominal source of 66 Hollywood films, made between 1935 and 1948, and a 52-episode TV series (1952-54), all starring William Boyd as a character with the same name but very different from Mulford's. Hopalong Cassidy: On the Page, On the Screen covers each of Mulford's books and each of the Cassidy theatrical films in full detail. A comprehensive index enables readers interested in almost anyone or anything linked to the books or films-i...
THE ANTHONY BOUCHER CHRONICLES was edited by Francis M. Nevins from all of the monthly and weekly reviews and commentary columns that Boucher published in the San Francisco Chronicle, 1942 - 1947. Over 400 pages, it includes an index to all of the hundreds of great old mystery writers mentioned in the reviews.
Gregory examines each of Hammett's novels--Red Harvest, The Dain Curse, The Maltese Falcon, The Glass Key, and The Thin Man--interms of their form and theme to make clear their twofold appeal. She shows that they succeed not only as popular fiction but as literature. Through literary analysis she shows that within each of his works there are intricate literary strategies to be probed and analyzed symbolically, metaphysically, and metafictionally to yield the sharp vision we expect of art. His first novel, Red Harvest, provides an excellent example of his strategies. Filled with action, vivid characters, and remarkable colloquial dialogue, Red Harvest is a study of personal systems, of et...
Cornell Woolrich reinvented suspense fiction for the twentieth century. His unnerving tales of the psychological terrors lurking on the underside of the commonplace earned Woolrich epithets like "our poet of the shadows," the twentieth century's Edgar Allen Poe, and the father of noir. The twilight years of Woolrich's career did not soften his vision; they darkened it, as the selections in Tonight, Somewhere in New York, rivetingly show. In addition to nine masterly stories from the late 1950s and 1960s, some of them never before collected, this Woolrich anthology offers two evocative episodes from the autobiographical manuscript on which he worked during his latter years as well as five chapters of the novel he left unfinished at the time of his death in 1968. Page after suspenseful page, this collection amply demonstrates the power of his vision. Again and again, ordinary individuals get caught up in everyday circumstances that spin perversely, murderously, out of control. Unexpected perils lie in wait everywhere?in a hotel corridor, in the insistent ring of a telephone, on a street one day in Rome, or inside a black sedan that without wheels would look like a coffin.