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El presente libro, "Genealoga de la familia MONTEALEGRE" es el Primer Tomo de tres, expone en sus pginas el origen del apellido, el lugar que dio origen al mismo, sus antepasados en Espaa, Francia, Inglaterra, Italia, Alemania y Kiev. Entre esos antepasados, entre los ms importantes, podemos mencionar al rey David, al Profeta Mahoma, a los Duques de Anjou y Aquitania, a los Plantegenet que son el origen de casi todas las monarquas europeas. Expone los antepasados del rey don Fernando III "el Santo" y su esposa Elizabeth Hohenstaufen, y sus descendientes, que a travs de sus hijos don Alfonso X "el Sabio" y el Infante don Manuel, llegaron hasta Amrica. De los descendientes del rey David, por T...
This two-part book on collections of paintings in Madrid is part of the series Documents for the History of Collecting, Spanish Inventories 1, which presents volumes of art historical information based on archival records. One hundred forty inventories of noble and middle-class collections of art in Madrid are accompanied by two essays describing the taste and cultural atmosphere of Madrid in the seventeenth and eighteenth centuries.
This book is the only one of its kind on the market. It deals with one of the most brilliant yet least known Latin American authors, Esteban EcheverrÌa. EcheverrÌa was the author of La Cautiva (The Captive), El Matadero (The Slaughterhouse), and Dogma Socialista (Socialist Dogma) which formed the base of the constitution of the Republic of Argentina. In Building A Nation, Juan Carlos Mercado recovers the figure of EcheverrÌa through an analysis centralized in his work as a poet, thinker, and politician--all as one unit. The study takes into account the many sources, including European ones, that EcheverrÌa used in order to formulate a literary and political national project. Readers of this work will acquire a thorough understanding of the significance of EcheverrÌa's influence--from the introduction of European Romanticism into Argentine Literature; to the initiation of a critical and realistic narrative style never yet seen before in Argentina; to the founding of a liberal-humanist tendency which went on to acquire definitive political shape for the country.
Reprint of the original, first published in 1842.