You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
None
In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author’s or translator’s manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author’s hand cannot be separated from the printers’ mind. This book is devoted to the process of publication of the works that framed their readers’ representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes’ Don Quixote or Shakespeare’s plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call 'literature'.
This is the world premiere complete publication of Narciso Botellos important Annals of Southern California, a work focusing on the years 1833 - 1847 when California was emerging from its years of isolation and seclusion with dramatic turmoil, social change, political intrigues, and armed conflicts. Botello, living in that dusty pueblo Los Angeles, records a swirl of events and personalitiestragic love, crime, warfare, treachery, invasionall bound together by the characteristic bravado and intricate web of loyalties of the native Californios. This spirited English translation of the original, amplified by detailed notes and insightful commentary, draws the reader deep into the surprising events of the turbulent final years of Mexican California.
In what follows can be found the doors to a house of words and stories. This house of words and stories is the "Archive of New Mexico" and the doors are each of the documents contained within it. Like any house, New Mexico's archive has a tale of its own origin and a complex history. Although its walls have changed many times, its doors and the encounters with those doors hold stories known and told and others not yet revealed. In the Archives, there are thousands of doors (4,481) that open to a time of kings and popes, of inquisition and revolution. "These archives," writes Ralph Emerson Twitchell, "are by far the most valuable and interesting of any in the Southwest." Many of these documen...
Examines one of the first Renaissance novels to feature an ordinary man, not a nobleman or ancient hero, as the main character.
Octavio Paz (México, 1914–1998) was one of the foremost poets and essayists of the twentieth century. Read in translations into many of the world’s languages, Paz received numerous awards and prizes during his lifetime, participated in major artistic and political movements of the twentieth century, served as Mexico’s ambassador in India (1962–1968), and was the editor of Plural and Vuelta, two literary journals of prominent influence in Mexico, Latin America, and Spain. In 1990 Paz was awarded the Nobel Prize in Literature. This book of essays is a commemoration of Octavio Paz on the first centenary of his birth, a celebration undertaken with Paz’s distinguishing legacy: criticis...
In Exorcism and Its Texts, Hilaire Kallendorf demonstrates how this 'infection' was represented in some thirty works of literature by fifteen different authors, ranging from canonical classics to obscure works by anonymous writers.
Michael Scham uses Cervantes's Don Quijote and Novelas ejemplares as the basis for a wide-ranging exploration of early modern Spanish views on recreations ranging from cards and dice to hunting, attending the theater, and reading fiction.
The canon of Hispanic mysticism is expanding. No longer is our picture of this special brand of early modern devotional practice limited to a handful of venerable saints. Instead, we recognize a wide range of marginal figures as practitioners of mysticism, broadly defined. Neither do we limit the study of mysticism necessarily to the Christian religion, nor even to the realm of literature. Representations of mysticism are also found in the visual, plastic and musical arts. The terminology and theoretical framework of mysticism permeate early modern Hispanic cultures. Paradoxically, by taking a more inclusive approach to studying mysticism in its marginal manifestations, we draw mysticism---in all its complex iterations---back toward its rightful place at the center of early modern spiritual experience. Contributors: Colin Thompson, Alastair Hamilton, Christina Lee, Clara Herrera, Darcy Donahue, Elena del Rio Parra, Evelyn Toft, Fernando Duran Lopez, Piancisco Morales, Freddy Dominguez, Glyn Redworth, Jane Ackerman, Jessica Boon, Jose Adriano de Freitas Carvalho, Luce Lopez-Barat, Maria Mercedes Carrion, Maryrica Lottman, and Tess Knighton.