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Extremities
In the decades following the French Revolution, four artists - Girodet, Gros, Gericault, and Delacroix - painted works in their Parisian studios that vividly expressed violent events in faraway, colonial lands. This book examines six of these paintings and argues that their disturbing, erotic depictions of slavery, revolt, plague, decapitation, cannibalism, massacre, and abduction chart the history of France's empire and colonial politics. Darcy Grimaldo Grigsby shows that these paintings about occurrences in the West Indies, Syria, Egypt, Senegal, and Ottoman Empire Greece are preoccupied not with mastery and control but with loss, degradation, and failure, and she explains how such represe...
Le Jacquard
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Elephant Slaves and Pampered Parrots
""Adds a new dimension to our understanding of eighteenth-century France by investigating the provenance, treatment, and fate of exotic animals living in Paris in the 1700s."" -- American Historical Review.
The New Worlds of Thomas Robert Malthus
This book is a sweeping global and intellectual history that radically recasts our understanding of Malthus's Essay on the Principle of Population, the most famous book on population ever written or ever likely to be. Malthus's Essay is also persistently misunderstood. First published anonymously in 1798, the Essay systematically argues that population growth tends to outpace its means of subsistence unless kept in check by factors such as disease, famine, or war, or else by lowering the birth rate through such means as sexual abstinence. Challenging the widely held notion that Malthus's Essay was a product of the British and European context in which it was written, Alison Bashford and Joyce Chaplin demonstrate that it was the new world, as well as the old, that fundamentally shaped Malthus's ideas.
The Narrative of Robert Adams, A Barbary Captive
First published in London in 1816, The Narrative of Robert Adams is an account of the adventures of Robert Adams, an African American seaman who survives shipwreck, slavery, and brutal efforts to convert him to Islam, before being ransomed to the British consul. In London, Adams is discovered by the Company of Merchants Trading which publishes his story, into which Adams inserts a fantastical account of a trip to Timbuctoo. Adams's story is accompanied by contemporary essays and notes that place his experience in the context of European exploration of Africa at the time, and weigh his credibility against other contemporary accounts. Professor Adams's introduction examines Adams's credibility in light of modern knowledge of Africa and discusses the significance of his story in relation to the early nineteenth century interest in Timbuctoo, and to the literary genres of the slave narrative and the Barbary Captivity narrative.
