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The disappearance of a priceless Caravaggio in Rome and the famous 'White on White' by Russian painter Kasimir Malevich in Paris heralds the start of a series of seemingly unconnected art crimes across Europe. Fitting the pieces together as they follow a trail of bluffs and double-bluffs, bizarre clues and intellectual puzzles, Inspector Jean-JacquesBizot in Paris and Harry Wickenden of Scotland Yardcome to realize that what at first appears a spate of random thefts is all part of a single master plan, and that they are being led ever deeper into a baffling conspiracy. This fiendishly clever debut thriller takes us behind the scenes of the elite fine art world of auction houses, academia and museums to offer a fascinating view of art history, witty, fast-paced dialogue and an ever-surprising plot that twists its way from Rome to Paris to London and back again.
Le témoignage bouleversant de la famille Morinière après la mort soudaine de l'aînée des enfants, Sophie 21 ans, dans un dramatique accident de la route en Guyane, alors qu'elle se rendait aux JMJ de Rio durant l'été 2013. 17 juillet 2013. Le deuil foudroie la famille Morinière. Sur une route de Guyane, Sophie, l'aînée des quatre enfants, meurt à 21 ans dans un accident de car alors qu'elle se rendait aux JMJ de Rio. Pour ses parents, François et Béatrice, ses deux frères et sa soeur, commence alors un long chemin de reconstruction personnel et familial, pour arriver à vivre avec l'inacceptable. Ils racontent leur parcours émotionnel, spirituel et social depuis l'accident, sa...
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Diane Margolf looks at the Paris Chambre de l’Edit in this well-researched study about the special royal law court that adjudicated disputes between French Huguenots and the Catholics. Using archival records of the court’s criminal cases, Margolf analyzes the connections to three major issues in early modern French and European history: religious conflict and coexistence, the growing claims of the French crown to define and maintain order, and competing concepts of community and identity in the French state and society. Based on previously unexplored archival materials, Margolf examines the court through a cultural lens and offers portraits of ordinary men and women who were litigants before the court, and the magistrates who heard their cases.