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The name of Christian Dior still reigns as a hallmark of 20th-century fashion. This lavishly produced publication is a tribute the master of fashion, capturing through the work of professional photographers exquisite models in the finest attire.
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
Perhaps the most illustrious women of her era, Marie Curie is well-known for her Nobel Prize-winning research in physics and chemistry and for her discovery with husband Pierre of polonium and radium. Less familiar is the complex character of this renowned woman. While grounding her work in a historical context, the author provides a fresh human perspective on the life of this famous yet enigmatic precursor of today's atomic scientists.
"Alma Maria Mahler Gropius Werfel (born Alma Maria Schindler; 31 August 1879? 11 December 1964) was a Viennese-born socialite well known in her youth for her beauty and vivacity. She became the wife, successively, of composer Gustav Mahler, architect Walter Gropius, and novelist Franz Werfel, as well as the consort of several other prominent men. Musically active from her teens, she was the composer of at least seventeen songs for voice and piano. In later years her salon became an important feature of the artistic scene, first in Vienna, then in Los Angeles."--Wikipedia.
A study of Christian Dior as an artist, focusing on his achievements through his works rather than through biography.
Until now, writings on the celebrated movements in literature and film that emerged in France in the mid-1950s - the New Novel and New Wave - have concentrated on their formal innovations, not on their engagement with history or politics. New Novel, New Wave, New Politics overturns this traditional approach. Lynn A. Higgins argues that the New Novelists (e.g., Alain Robbe-Grillet, Claude Simon, Marguerite Duras) and New Wave filmmakers (e.g., Claude Chabrol, Francois Truffaut, Jean-Luc Godard, Alain Resnais) "engage in a kind of historiography.... They enact the conflicts, the double binds of postwar history and representation." Higgins claims that what art historian Serge Guilbaut has said ...
1975 was a key year for the women’s movement in France. Through a critical exploration of the politics, activism and cultural creativity of that moment, this book evaluates the achievements and legacies of second wave French feminism for subsequent ‘waves’, including the movement’s contemporary resurgence.
Contemporary Western European Feminism is a ground-breaking history of feminism. Gisela Kaplan invites a critical analysis of current ideas, terms and assumptions about our modern world. Written confidently and with compassion, this is the story of a long revolution that has set out to change predominant attitudes and transform value hierarchies and human lifestyles. By outlining the postwar histories of individual countries Kaplan contextualises women’s movements and documents a significant chapter of European social history. She poses questions about the interrelationship between the new movements and the parliamentary democracies in which they occurred, while analysing the contradiction...
Although more women in France have entered political life than ever before, the fact remains that there are fewer women representatives in the French parliament than there were after the Second World War. In a new and original approach, the author presents an overview and analysis of the emerging body of text by or on women who have held high political office in France. The argument is that writing about women and politics has not just described or reflected women's slow but now substantial entry into political life; it has played a major part in shaping the parity debate and its outcomes. Interviews with political women, such as Huguette Bouchardeau, Simone Veil or Edith Cresson, inserted in the text, demonstrate the emergence and circulation of a new common discourse focused on the issue of whether women in politics make or should make a difference. A close reading of the various texts examined in this book and their connection to new public counter-discourses in France suggest that a re-writing of power is indeed occurring.