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A guide to Glasgow, this book focuses on the regeneration projects that the city is undergoing, comparing the contemporary architecture with the Victorian and Edwardian buildings. The guide describes over 150 buildings.
The Buildings of Scotland, will, when complete, guide the reader to all buildings of significance in Scotland. In each volume, a gazetteer describes and interprets buildings and developments of all dates and kinds, from ancient brochs and Roman forts to medieval abbeys and castles, classical country houses, Victorian churches, farms and factories, and twentieth-century tower blocks. An introduction explains the broader context, while maps, plans and a central section of over a hundred photographs bring the buildings into closer focus. Comprehensive indexes and an illustrated glossary that includes many Scottish terms turn these indispensable travelling companions into accessible reference works.
Stirling and Central Scotland straddles the divisions between Highland and Lowland, rural and industrial Scotland. Castles range from Stirling, its fortifications enclosing a Renaissance palace of international significance, to the strongholds of medieval magnates at Doune, Blackness and Castle Campbell, from tower houses at Clackmannan and Alloa to the Georgian barracks complex of Dumbarton. Many buildings fully explained for the first time include Kinneil House, which developed from tower, to palace of the Regent of Scotland to Restoration showhouse; and the huge spread of Callendar House, aggrandized over four centuries with many changes of dress. Other major houses include Bannockburn Ho...
When Morality and Architecture was first published in 1977, it received passionate praise and equally passionate criticism. An editorial in Apollo, entitled "The Time Bomb," claimed that "it deserved to become a set book in art school and University art history departments," and the Times Literary Supplement savaged it as an example of "that kind of vindictiveness of which only Christians seem capable." Here, for the first time, is the story of the book's impact. In writing his groundbreaking polemic, David Watkin had taken on the entire modernist establishment, tracing it back to Pugin, Viollet-le-Duc, Corbusier, and others who claimed that their chosen style had to be truthful and rational, reflecting society's needs. Any critic of this style was considered antisocial and immoral. Only covertly did the giants of the architectural establishment support the author. Watkin gives an overview of what has happened since the book's publication, arguing that many of the old fallacies still persist. This return to the attack is a revelation for anyone concerned architecture's past and future.
'Black Island' takes the reader to KorUcula - an island in the Adriatic. The author engages with the place and the people, describing landscapes, recalling joys and remembering sadnesses. Above all he speaks of the magic moments of shared hospitality and friendship which live in the memory of all those made welcome in KorUcula."
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Published in association with the Georgian Group, a look at the Georgian villa in the British Isles, which addresses the architectural and intellectual themes of the villa, and the diversity of its design, location and use.