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The Brontes, living in an isolated village in Yorkshire, wrote some of the most vivid, imaginative, and widely-read novels of the Victorian Age; they also became the subject-matter of romanticized anecdotes and regrettably distorted biographies. The best testimony about what kinds of men and women they really were comes from statements they made themselves; but because their autobiographical commentaries are sparse, the record is usefully supplemented in this anthology by first-hand statements made not only by various inhabitants of Haworth, but by those who met members of the Bronte family in Yorkshire, London, and elsewhere.
When Jane Austen died in 1817, she left behind 120 pages of manuscript that would eventually be published as Sanditon. Praised by some critics and condemned by others, this final effort by the great English writer has for the most part been overlooked in favor of the novels that were published during her lifetime and shortly after her death. For the first time, an entire book is devoted to examining this fragment to establish it as Jane Austen's potential masterpiece. With a new setting and a greater range of characters than found in earlier works, this novel composed during the last months of her short life, if completed, would at the same time have continued her series of magnificent novels and created new possibilities for novels to come.
The wellspring of Thomas Hardy and Religion is the recognition that Thomas Hardy's two late great novels, Tess of the d'Urbervilles and Jude the Obscure, are dominated, respectively, by two religious traditions of nineteenth-century Anglicanism: Evangelicalism and Anglo-Catholicism. Placing those movements in their historical context alongside other Victorian religious traditions, the author explores the development of Hardy's religious beliefs and ideas up till the 1880s. Evangelicalism in Tess is discussed through an analysis of the principal characters, Angel Clare and his father, Parson Clare, Alec d'Urberville and Tess herself, leading to a consideration of why this form of Christianity...
This collection of critical essays on the poetry of English poet and novelist Thomas Hardy covers Hardy and the art of poetry, Hardy and other poets, and a detailed views of specific texts. Includes an introduction addressing the relationship between Hardy's life and his poetry.
Thomas Hardy's fiction has had a remarkably strong appeal for general readers for decades, and his poetry has been acclaimed as among the most influential of the twentieth century. His work still creates passionate advocacy and opposition. The Cambridge Companion to Thomas Hardy is an essential introduction to this most enigmatic of writers. These commissioned essays from an international team of contributors comprises a general overview of all Hardy' s work and specific demonstrations of Hardy's ideas and literary skills. Individual essays explore Hardy's biography, aesthetics, his famous attachment to Wessex, and the impact on his work of developments in science, religion and philosophy in the late nineteenth century. Hardy's writing is also analysed against developments in contemporary critical theory and issues such as sexuality and gender. The volume also contains a detailed chronology of Hardy's life and publications, and a guide to further reading.
Thomas Hardy was the foremost novelist of his time, as well as an established poet. This guide provides students with a lucid introduction to Hardy's life and works and the basis for a sound comprehension of his work.
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