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Wounded Hearts
The literary study of emotion is part of an important revisionary movement among scholars eager to recast emotional politics for the twenty-first century. Looking beyond the traditional categories of sentiment, sensibility, and sympathy, Jennifer Travis suggests a new approach to reading emotionalism among men. She argues that the vocabulary of injury, with its evaluations of victimhood and its assessments of harm, has deeply influenced the cultural history of emotions. From the Civil War to the early twentieth century, Travis traces the history of male emotionalism in American discourse. She argues that injury became a comfortable vocabulary--particularly among white middle-class men--throu...
Radio Frequency Integrated Circuits and Technologies
The striking feature of this book is its coverage of the upper GHz domain. However, the latest technologies, applications and broad range of circuits are discussed. Design examples are provided including cookbook-like optimization strategies. This state-of-the-art book is valuable for researchers as well as for engineers in industry. Furthermore, the book serves as fruitful basis for lectures in the area of IC design.
A Lost Lady
‘A Lost Lady’ is Willa Cather’s brilliant depiction of the decline of the American pioneer spirit and the bleakness of frontier life. In it, socialite Marrian Forrester lives with her husband, the ageing industrial magnate Captain Forrester, in the small town of Sweet Water. To the young, adoring narrator Niel Herbert, she is both bewitching and beautiful. The very definition of a lady. But Marrian Forrester is not what she seems and sparked by the death of her husband; her social decline lays bare her contradictions to the town. Published in 1923, Cather’s revered novel is an elegy to the pioneer west. The writer F. Scott Fitzgerald acknowledged its influence on his famous work ‘T...
The Imaginative Claims of the Artist in Willa Cather's Fiction
In this, her first book, scholar Demaree C. Peck assigns Willa Cather her rightful place in our literary history. Challenging the assumption that women writers must draw their inspiration from a lineage of female predecessors, Peck portrays Willa Cather as a woman who self-consciously set out to write within a male literary tradition that she identified as Emersonian. Peck explores the psychological underpinnings of Cather's aesthetics to show that her theory of stylistic economy and simplicity was motivated by a desire to reorganize the elements of the artistic stage exclusively around her own romantic ego - that "inexplicable presence of the thing not named". Although Cather's protagonists...
A LOST LADY PART 1
A LOST LADY PART 1 The Extra Things added to the Book •Added details biography of the author •Added the Summary •Added details of character •Added about book •Quotes are added to each chapter •Added index to get quick view and interface •Grammar correction is done Marian Forrester is the emblematic blossom of the Old American West. She draws her quality from that strong establishment, carrying joy and excellence to her older spouse, to the community of Sweet Water where they live, to the prairie land itself, and the youthful storyteller of her story, Neil Herbert. All are beguiled by her splendor and effortlessness, and all are eventually sold out. For Marian yearns for "life o...
Willa Cather
Drawing on letters, interviews, speeches, and reminiscences, looks at the life and career of the American novelist.
The Stuff of Our Forebears
Connecting Cather's work to the southern literary tradition and the South of her youth
A Mirror in the Roadway
In a famous passage in The Red and the Black, the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naïve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists ...
The Georgic Mode in Twentieth-Century American Literature
The Georgic Mode in Twentieth-Century American Literature: The Satisfactions of Soil and Sweat explores environmental writing that foregrounds labor. Ethan Mannon argues that Virgil’s Georgics, as well as the georgic mode in general, exerted considerable influence upon some of America’s best-known writers—including Robert Frost, Willa Cather, and Wendell Berry—and that these and others worked to revise the mode to better fit their own contexts. This book also outlines the contemporary value of the georgic literary tradition—two thousand years of writing that begins with the premise that humans must use the world in order to survive and search for a balance between human needs and nature’s productive capacity. In the georgic mode, authors found an adaptable discourse that enabled them to advocate for the protection and responsible use of productive lands, present rural places and people in all of their complexity, explore human relationships with laboring animals, and advertise the sensory pleasures of rooted work.
