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Ogata Kōrin
A lush portrait introducing one of the most important Japanese artists of the Edo period Best known for his paintings Irises and Red and White Plum Blossoms, Ogata Kōrin (1658-1716) was a highly successful artist who worked in many genres and media--including hanging scrolls, screen paintings, fan paintings, lacquer, textiles, and ceramics. Combining archival research, social history, and visual analysis, Frank Feltens situates Kōrin within the broader art culture of early modern Japan. He shows how financial pressures, client preferences, and the impulse toward personal branding in a competitive field shaped Kōrin's approach to art-making throughout his career. Feltens also offers a keen visual reading of the artist's work, highlighting the ways Kōrin's artistic innovations succeeded across media, such as his introduction of painterly techniques into lacquer design and his creation of ceramics that mimicked the appearance of ink paintings. This book, the first major study of Kōrin in English, provides an intimate and thought-provoking portrait of one of Japan's most significant artists.
Hokusai's Brush
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Imagined Neighbors
Welches Bild von China hatten japanische Künstler vom späten 17. Jahrhundert, als ihr Land sich gegen die Welt abschottete, bis zur Öffnung im Zuge der Modernisierung ab der Mitte des 19. Jahrhunderts? Der Band untersucht vorrangig Darstellungen in der japanischen Malerei vom späten 17. bis zum 20. Jahrhundert, die China als realen Ort ebenso wie als imaginäres gelobtes Land zeigen. In drei Essays renommierter japanischer Kunsthistoriker*innen und über fünfzig Katalogeinträgen zu außergewöhnlichen Werken werden die komplexen Reaktionen der Kunst Japans auf die chinesische Kunst, Geschichte und Kultur offenbar. Eine Handvoll wissenschaftlicher Studien hinterfragt in jüngerer Zeit das etablierte Narrativ, das moderne Japan habe sich allein am Westen orientiert. Diese verbreitete Vorstellung von einem ausschließlich westlich inspirierten heutigen Japan thematisiert "Imagined Neighbors". Mit einem nuancierteren Ansatz bemüht sich der Band, die schwierige Aussöhnung zwischen Alt und Neu im Zuge der Neuerfindung des modernen Nationalstaats Japan zu verstehen.
Mindful Eye, Playful Eye
Experience art and design as you've never experienced them before with 101 imaginative, mindfulness-based practices that will engage your senses, open your mind, and transform your next museum visit Switch off your phone, take a deep breath, and prepare for adventure. Mindful Eye, Playful Eye invites readers on a thoughtful journey through museums, with 101 practices designed to nurture the development of attention, creativity, and compassion. This book encourages a playful and reflective approach to the museum experience of viewing art, sculptures, fossils, jewelry, aircraft, and more, including suggestions to: Imagine an object features prominently in a film or novel. What role does it pla...
Hokusai's Brush
Experience the breathtaking masterworks of one of the most influential artists in Japan's history. Hokusai's Brush is a companion to the Freer Gallery of Art's yearlong exhibition that celebrates the artist's fruitful career. The Freer, home to the world's largest collection of paintings by Japanese artist Katsushika Hokusai, has put on view for the first time in a decade his incredible and rarely seen sketches, drawings, and paintings. Together with essays that explore his life and career, Hokusai's Brush offers an in-depth breakdown of each painting, providing amazing commentary that highlight Hokusai's mastery and detail. While best known for his woodblock print series "Thirty-six Views o...
The Poetry of Nature
With a shared reverence for the arts of Japan, T. Richard Fishbein and his wife, Estelle P. Bender assembled an outstanding and diverse collection of paintings of the Edo period (1615 – 1868). The Poetry of Nature offers an in-depth look at more than forty works from their collection that together trace the development of the major schools and movements of the era — Rinpa, Nanga, Zen, Maruyama-Shijō, and Ukiyo-e — from their roots in Heian court culture and the Kano and Tosa artistic lineages that preceded them. Insightful essays by John T. Carpenter and Midori Oka reveal a unifying theme — the celebration of the natural world — expressed in varied forms, from the bold, graphic ma...
Facing Images
If we want to decolonize the history of art, argues Kristopher Kersey, we must rethink our approach to the historical record. This means dispensing with Eurocentric binaries—divisions between Western and non-Western, modern and premodern—and making a commitment to artworks that challenge the perspectives we build upon them. In Facing Images, the question takes elegant and intriguing form: If the aesthetic hallmarks of “modernity” can be found in twelfth-century art, what does it really mean to be “modern”? Kersey’s answer to this question models a new historiography. Facing Images begins by tracing the turbulent discourse surrounding the emergence of Japanese art history as a m...
Ay-O Happy Rainbow Hell
This kaleidoscopic catalog celebrates avant-garde artist Ay-Ō’s first major museum exhibition in the United States Known as the “Rainbow Artist” for the prominent bright motif in his work, Ay-Ō has long referred to this compulsion as his “rainbow hell.” Ay-Ō Happy Rainbow Hell invites readers into the vibrant world of his brilliant art, mind, and imagination, featuring artwork from the first major US museum exhibition devoted to his work. Printed on heavy 100# paper and in 7 colors (with added green, orange, and metallic gold inks, plus 2 spot colors and spot varnish) to achieve Ay-Ō’s vibrant color palette, the book is its own stunning art object. The dustjacket, printed and...
Designing Nature
Exhibition of paintings, lacquerwork, ceramics, textiles, calligraphy, and other media all in the Rinpa style from 1600 to the present day.
Kimono Style: Edo Traditions to Modern Design
Japan’s engagement with Western clothing, culture, and art in the mid-nineteenth century transformed the traditional kimono and began a cross-cultural sartorial dialogue that continues to this day. This publication explores the kimono’s fascinating modern history and its notable influence on Western fashion. Initially signaling the wearer’s social position, marital status, age, and wealth, older kimono designs gave way to the demands of modernized and democratized twentieth-century lifestyles as well as the preferences of the emancipated “new woman.” Conversely, inspiration from the kimono’s silhouette liberated Western designers such as Paul Poiret and Madeline Vionnet from traditional European tailoring. Juxtaposing never-before-published Japanese textiles from the John C. Weber Collection with Western couture, this book places the kimono on the stage of global fashion history.
