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Gaming and the Divine
This book formulates a new theological approach to the study of religion in gaming. Video games have become one of the most important cultural artifacts of modern society, both as mediators of cultural, social, and religious values and in terms of commercial success. This has led to a significant increase in the critical analysis of this relatively new medium, but theology as an academic discipline is noticeably behind the other humanities on this subject. The book first covers the fundamentals of cultural theology and video games. It then moves on to set out a Christian systematic theology of gaming, focusing on creational theology, Christology, anthropology, evil, moral theology, and thana...
Creation - Transformation - Theology
The social and cultural challenges posed by the increasing threat to creation (climate change, destruction of biodiversity, etc.) are the starting point for new philosophical-ethical and theological reflections on the relationship between God, human beings and the world, as presented in this volume. God's creative impulse, which transforms anew, is at work in the actions of human beings and challenges us, in view of the threat to the "house of life" earth, to go new ways that make a common and good life possible. Creation and transformation are interrelated; an ecological theology of creation and practice of sustainability to be developed in the European context is to be embedded in the horizon of a global, liberating theology. Prof. Dr. Dr. h.c. Margit Eckholt, professor of dogmatics and fundamental theology at the Institute of Catholic Theology / University of Osnabrück, president of the European Society for Catholic Theology
Nazi Occultism, Jewish Mysticism, and Christian Theology in the Video Game Series Wolfenstein
The critically acclaimed if controversial game series Wolfenstein is famous for its inclusion of historical objects and figures from the realm of Nazi Occultism, including the Swastika, the Spear of Destiny, the Thule Medallion, Heinrich Himmler, Helena Blavatsky, and Karl Wiligut. The series was criticized for its alleged Nazi glorification and for completely neglecting primary victims of the Second World War, the Jewish people. But since its reboot with Wolfenstein: New Order in 2014, the series has a new, distinct filo semitic flavor, including a number of explicit Jewish characters, a playable concentration camp level, and several theological discussions on God and the existence of evil. In Nazi Occultism, Jewish Mysticism, and Christian Theology in the Video Game Series Wolfenstein, game theologian Frank G. Bosman critically examines both the Nazi occultist and Judaist inspirations and aspirations of the game series, putting forth the question if the series has not invertedly ventured into implicit antisemitic territory by including the Da’at Yichud, a fictional, ancient, and distinct Jewish organization harboring the great minds of history.
Theology and the Blues
While all music genres incorporate religious imagery, the blues has its origin in the soil of the church. In its infancy, the blues was often dismissed as undermining the church’s gospel songbook. The initial resistance, however, could not suppress the organic development of a genre of music born from suffering. The great Mississippi Delta bluesman, Muddy Waters, once said, "The blues was born behind a mule." Behind a beast of burden, the working man found in the blues a way to console the everyday experiences of struggle, sin, loss, despair, love, grief, sin, death, and the fear and hope of crossing the River Jordan into eternal life. The church's gospel songbook explores doctrinal foundations set to music, but the blues dares to uncover insight into the lived experiences of spiritual journeys. Theology and the Blues showcases theological themes inherent within the organic and expressive genre of the blues.
The Seven Sacraments of the Catholic Church
The strong relationship between the Bible and the sacraments of the Catholic Church is generally accepted in theology. This monograph approaches this relationship from a synchronic perspective. This fresh perspective opens up new windows providing insight into similarities found in the various rites, in and outside the Catholic Church. For example, the basic biblical pattern of the celebration of the Eucharist / Last Supper appears to be standard. It also poses critical questions regarding sacramental theology in general, especially to the problematic equation of the proper name Jesus and the title Christ. Archibald L. H. M. van Wieringen, professor of Old Testament at the Tilburg School of Catholic Theology, has published on Isaiah, Amos, communication-oriented analysis and biblical theology. He is a priest of the diocese of Haarlem-Amsterdam.
›Assassin’s Creed‹ in the Classroom
The open world role-playing Assassin’s Creed video game series is one of the most successful series of all time, praised for its in-depth use of historical characters and events, compelling graphics, and addictive gameplay. Assassin’s Creed games offer up the possibility of exploring history, mythology, and heritage immersively, graphically, and imaginatively. This collection of essays by architects archaeologists and historiansexplores the learning opportunities of playing, modifying, and extending the games in the classroom, on location, in the architectural studio, and in a museum.
The Spirit and the Song
The Spirit and the Song:Pneumatological Reflections on Popular Music explores pertinent pneumatological issues that arise in music. It offers three distinct contributions: first, it asks what, if anything, music tells listeners about God’s Spiritedness. Can the experience of music speak to human spiritedness, the world’s transcendentality, or a person’s own self-transcendence in ways nothing else does or can? Second, this book explores how the Spirit functions within, and even determines, culture through music. Because music is a profound human expression, it can find itself in a rich dialogue with the Spirit. Third and finally, this book explores the contested status of music in Christian spiritual traditions. It deals with music as inspired by the Spirit, music as participation in Spiritedness, and music as temptation of “the flesh.” As such, this book also engages music’s placement in Christian spiritual traditions. The contributors of this book ask how Christian convictions about and experiences of the Spirit might shape the way one thinks about music.
The Apostles' Creed
What does it mean when Christians confess that Jesus was ‘born of the Virgin Mary’? This volume of essays, written by an international group of scholars, approaches this question from various perspectives. From examining the Old Testament backgrounds to exploring the Virgin Birth in various traditions and cultures, each chapter offers fresh perspectives. The contributors explore topics ranging from the Pre-Nicene tradition to modern cinematic interpretations, and from the perspectives of renowned theologians to interfaith dialogue with Islam and Hinduism. Engaging and thought-provoking, this volume promises to illuminate the significance of the Virgin Birth across diverse religious and cultural contexts.
The Apostles’ Creed ‘He Descended Into Hell’
Though the number of Christians in Western societies is declining, many areas of our daily life are still influenced by Christian thoughts, expressions and images, sometimes without people being aware of it. This volume is about Christ's descent into hell as it appears in The Apostles' Creed 'He descended into hell', the Apostles' Creed professes. But what are Christians who recite this Creed supposed to believe in when they profess their faith in the descent into hell? Or, to put the same question more poignantly, what is at stake if people deny the descent? Would it make any difference if we did not believe in the descent? How did the early Church interpret this belief? What influence has ...
End-Game
Video games are a global phenomenon, international in their scope and democratic in their appeal. This is the first volume dedicated to the subject of apocalyptic video games. Its two dozen papers engage the subject comprehensively, from game design to player experience, and from the perspectives of content, theme, sound, ludic textures, and social function. The volume offers scholars, students, and general readers a thorough overview of this unique expression of the apocalyptic imagination in popular culture, and novel insights into an important facet of contemporary digital society.
