Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Accommodating Nature
Wind, water, and molten rock constantly tear apart and resculpt the natural world we live in, and people have always struggled to create structures that will permanently establish their existence on the land. Frank Golhke has committed his camera lens to documenting that fraught relationship between people and place, and this retrospective collection of his work by John Rohrbach reveals how people carve out their living spaces in the face of constant natural disruption. An acclaimed master of landscape photography, Golhke explores in Accommodating Nature how people configure the places where they live, work, and commune, both on an everyday level and in the aftermath of catastrophic destruct...
Speeding Trucks and Other Follies
In the summer of 1971 Frank Gohlke moved with his wife and young daughter from Middlebury, Vermont to Minneapolis, Minnesota. His vocation as a photographer had begun four years prior, but he had yet to define the subject that would occupy him for the next 45 years: the landscapes of ordinary life. The three bodies of work brought together in Speeding Trucks and Other Follies were all made between Gohlke's arrival in Minneapolis and the end of 1972 when he began photographing grain elevators, a project that first established his renown. In different ways these early series obliquely describe Gohlke's process of adjustment to his new surroundings. The "Speeding Trucks" photos of the first sec...
Thoughts on Landscape
Frank Gohlke has been a leading figure in American landscape photography for thirty years. Photographing grain silos in Minnesota, the aftermaths of a tornado in Texas and the Mount St. Helens eruption in Washington, and a river¿s quiet course in Massachusetts, his is a career of deep, unbroken contemplation of the land, and of our livelihood and survival within it. And for nearly as long as Gohlke has been photographing the landscape, he has also been writing about it.In the spirit of Henri Cartier-Bresson's seminal book, The Mind¿s Eye, and Robert Adams's Beauty in Photography, Gohlke¿s writings span from the philosophical to the personal. Throughout is his abiding sense of curiosity, an affection for and loyalty to his subject, and an uncanny ability to convey the richness of his experience to readers. In this collected volume, Gohlke¿s talent for photographing the landscape proves rivaled only by his talent for writing about it.
Landscape as Longing
In 2003, Frank Gohlke and Joel Sternfeld were commissioned to photograph one of the densest concentrations of ethnic diversity in the world, the borough of Queens in New York City. After more than a year of photographing everything from corner bodegas to the borough's boundaries, Gohlke and Sternfeld had not only captured the complicated dy - namic that sustains Queens and its myriad communities; they had also evolved a unique theory of landscape photography in which landscape is a visible manifestation of the invisible emotions of its inhabitants. The collection inherits the strength of each photographer's eye. Gohlke's Queens consists of streets, houses, fences, gardens, parklands, shoreli...
Measure of Emptiness
"In the United States there is more space where nobody is than where anybody is", said Gertude Stein. From the Midway area of Minneapolis to the prairie grasslands of Kansas, the American landscape is characterized by this spaciousness--and by the presence of windowless, rumbling, enormous grain elevators, rising above the steeples of churches to announce the presence of a town and to explain, in great measure, the function of its inhabitants. Why did their builders choose that particular form to fulfill a practical necessity? And how does the experience of great emptiness shape what people think, feel, and do? Frank Gohlke, one of America's foremost photographers of landscape, has pondered ...
Mount St. Helens
On the morning of May 18, 1980, the Mount St. Helens volcano in the forests of Washington State exploded. First, months of building interior pressure triggered a massive landslide, removing the entire north face of the mountain. This avalanche was followed immediately by a violent eruption that ultimately expelled over a quarter-billion cubic yards of magma. The blast devastated roughly 250 square miles, leaving behind scoured rock, millions of fallen trees, and mud-choked river valleys. Yet the land returned, gradually restoring and regenerating itself. Beginning in 1981 and continuing until 1990, photographer Frank Gohlke made regular visits to the devastated land around Mount St. Helens. This collection of photographs of biblical grandeur records both the ravaged terrain around the volcano in the early years after the eruption, and the regrowth--slow but extraordinary--of the region's natural forest. Mount St. Helens: 1981 to 1990 contains a dramatic selection of these photographs; an introductory essay on the volcanology and geology of the Pacific Northwest by Kerry Sieh and Simon LeVay; and notes on the images by the photographer himself.
New topographics : Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, Henry Wessel, jr. [On the occasion of the Exhibition New Topographics ; George Eastman House International Museum of Photography and Film, Rochester, New York, June 13 - September 27, 2009 ... Bilbao Fine Arts Museum, October 17, 2011 - January 8, 2012]
Selección de fotos de la exposición de Britt Salvesen?NewTopographics?, que presentada en 1975 diversas fotografías de fotógrafos norteamericanos. Este libro presenta la importancia histórica de la exposición. Se seleccionaron trabajos de la exposición, vistas de instalación, comparaciones contextuales y una lista de comprobación ilustrada del espectáculo.
The Open Road
After the end of World War II, the American road trip began appearing prominently in literature, music, movies, and photography. Many photographers embarked on trips across the U.S. in order to create work, including Robert Frank, whose seminal 1955 road trip resulted in The Americans. However, he was preceded by Edward Weston, who traveled across the country taking pictures to illustrate Walt Whitman's Leaves of Grass; Henri Cartier-Bresson, whose 1947 trip through the American South and into the West was published in the early 1950s in Harper's Bazaar; and Ed Ruscha, whose road trips between Los Angeles and Oklahoma later became Twentysix Gasoline Stations. Hundreds of photographers have c...
Beauty in Photography
Now in its third printing, Beauty In Photography is updated on the occasion of a major retrospective exhibition. Illustrated.
Vanishing Vernacular
Steve Fitch is among America's most well-known chroniclers of the American West since the days of Easy Rider. He has been photographing examples of the West's changing vernacular landscape and vanishing roadside landmarks for more than 40 years. In his new book, he presents both the ancient and the modern by way of petroglyphs, neon motel signs and hand-painted business signs, drive-in movie theater screens, and radio and cell towers. All of them are now endangered because of the advent of the Interstate Highway System and corporate franchises.In this fascinating and comprehensive account, we are able to join in Fitch's expansive journey, truly an odyssey, as represented in the book's 120 un...
