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Sukuma Labor Songs from Western Tanzania
This volume is an interpretive analysis of a collection of 335 song texts treated as primary historical sources. The collection highlights the cultural practices that link music with labor in Sukuma communities in northwestern Tanzania. These linkages are evident in the music of the elephant, snake, and porcupine hunting associations that flourished in the precolonial epoch, in the nineteenth-century regional and long-distance porter associations, and in the farmer associations that have proliferated since the beginning of the twentieth century. Acting primarily as an interpretive editor, the author collaborated with several Tanzanian scholars and translators towards fine-tuning the translation of these texts into English, and gathered testimonies in order to create succinct interpretive statements about the songs.
Live from Dar Es Salaam
When socialism collapsed in Tanzania, the government-controlled music industry gave way to a vibrant independent music scene. Alex Perullo explores the world of the bands, music distributors, managers, and clubs that attest to the lively and creative music industry in Dar es Salaam. Perullo examines the formation of the city's music economy, considering the means of musical production, distribution, protection, broadcasting, and performance. He exposes both legal and illegal strategies for creating business opportunities employed by entrepreneurs who battle government restrictions and give flight to their musical aspirations. This is a singular look at the complex music landscape in one of Africa's most dynamic cities.
A History of African Popular Culture
A journey through the history of African popular culture from the seventeenth century to the present day.
The Life that I Live
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Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making
Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians have adapted the brass band prototype to their home settings, and today these ensembles are found in religious processions and funerals, military manoeuvres and parades, and popular music genres throughout the world. Based on their expertise in ethnographic and archival research, the contributors to this volume present a series of essays that examine wind band cultures from a range of disciplinary perspectives, allowing for a ...
Keeping Time
Keeping Time: Dialogues on music and archives in Honour of Linda Barwick explores current issues in ethnomusicology and the archiving and repatriation of ethnographic field recordings. The 19 chapters by 36 authors consider archiving practices as a site of interaction between researchers and cultural heritage communities; cross-disciplinary approaches to understanding song; and the role of musical transcription in non-Western music. This volume is international in scope with case studies with Indigenous and minority peoples from Papua New Guinea, China, India, the Torres Strait and mainland Aboriginal Australia; the latter being the focus of the majority of chapters. Topics include the reviv...
Music from Behind the Bridge
'Music from behind the Bridge' tells the story of the steelband a symbol of Trinidadian culture, from the point of view of musicians who overcame disadvantages of poverty and prejudice with their extraordinary ambition.
Blowin’ the Blues Away
“Blowin' the Blues Away makes a major contribution to our understanding of the contexts and meanings of jazz performance. Jackson makes his own mark by not only documenting 'the jazz scene' in New York but also by providing a critical vocabulary and methodology for future researchers. As such, Jackson’s book provides the most in-depth understanding of the rituals and meanings of jazz performance to date." —Farah Jasmine Griffin, author of Clawing at the Limits of Cool: Miles Davis, John Coltrane, and the Greatest Jazz Collaboration Ever
The African Imagination in Music
In The African Imagination in Music, noted music scholar Kofi Agawy offers a fresh introduction to the vast, immensely rich and diverse set of repertoires that comprise the sound worlds of Sub-Saharan African music. Agawu introduces readers to the basic elements of African music and to the values upon which they are built. He then explores the key dimensions and resources of African music, including the place of music in society, musical instruments, the relationship between language and music, rhythm, melody, form, harmony and finally, appropriations of African music by musicians around the world. Written in an accessible styles, The African Imagination in Music is poised to renew interest in Black African music, and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists. -- from back cover.
