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The Avengers was a revolutionary series that always playfully twisted perceptions, pushed the boundaries of its genre and defied those who wished to pigeonhole it. The team behind The Avengers never forgot its primary objective was to entertain. And entertain it certainly did, inspiring successive generations to welcome The Avengers into their hearts. Right from its foreword by pioneering television historian Dave Rogers to its afterword by Jason Whiton of SpyVibe, Avengerworld celebrates the series, its international fandom and its fans. Over the course of more than forty essays, Avengers fans the world over relate how they first encountered the series, how they grew up with it at their sides, made friends, engaged with fandom and were inspired to do extraordinary things. Proceeds from this book will be donated to Champion Chanzige, a charity organisation that exists to improve conditions for underprivileged children at a primary school in Southern Tanzania - and helps them to do extraordinary things too.
Presents an updated account of Hong Kong and its culture two decades after its reversion to China. In Found in Transition, Yiu-Wai Chu examines the fate of Hong Kongs unique cultural identity in the contexts of both global capitalism and the increasing influence of China. Drawing on recent developments, especially with respect to language, movies, and popular songs as modes of resistance to Mainlandization and different forms of censorship, Chu explores the challenges facing Hong Kong twenty years after its reversion to China as a Special Administrative Region. Highlighting locality and hybridity along postcolonial lines of interpretation, he also attempts to imagine the future of Hong...
This book explores 2010s Hong Kong film industry, focusing on its (presumably) independent sector. Although frequently mentioned in global film industry studies, the term ‘independent film’ does not always carry a clear meaning. Starting with this point, this book studies closely Hong Kong’s new indie cinema of the 2010s from political, economic, social, cultural, and film industrial perspectives, arguing that this indie cinema was vital to the long-term sustainability of the city’s film industry.
“From Script to Screen” provides small and medium sized independent filmmakers with practical insights and advice on how to ensure efficient distribution of their audiovisual content while making use of their intellectual property. This training material takes the user through the pitfalls of the distribution process pointing out the importance of intellectual property during its different stages.
This book adopts an integrative research framework that primarily combines industrial and discourse analysis to investigate the company Milkyway Image, drawing upon literature that studies film studios and the practices of film production, distribution, and reception. The history of the Hong Kong-based film production company Milkyway Image from its founding in 1996 to the present exemplifies the metamorphosis of the post-return Hong Kong film industry to an era characterised by Hong Kong’s integration into a Chinese national context and the transnationalisation of world cinema. It shows that contemporary Hong Kong cinema’s transition resists a monolithic chronicle and instead represents...
Humanity's love affair with mathematics and mysticism reached a critical juncture, legend has it, on the back of a turtle in ancient China. As Clifford Pickover briefly recounts in this enthralling book, the most comprehensive in decades on magic squares, Emperor Yu was supposedly strolling along the Yellow River one day around 2200 B.C. when he spotted the creature: its shell had a series of dots within squares. To Yu's amazement, each row of squares contained fifteen dots, as did the columns and diagonals. When he added any two cells opposite along a line through the center square, like 2 and 8, he always arrived at 10. The turtle, unwitting inspirer of the ''Yu'' square, went on to a life...
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This book provides a broad and detailed glimpse into the ingenious artistry and attention to detail behind some of the most fabulous costumes you can find.
Following the publication of the remarkable 'Forgotten Voices of the Great War', Max Arthur has once again gone deep into the Imperial War Museum Sound Archive to create this landmark oral history of the most devastating conflict the world has ever seen, the Second World War.
Examining how Hong Kong filmmakers, spectators and critics wrestled with this perturbation between the Leftist Riots (1967) and the aftermath of the Umbrella Movement (2014), this book traces how Hong Kong's extraterritoriality has been framed: in its position of being doubly occupied and doubly abandoned by contesting juridical, political, linguistic and cultural forces. Extraterritoriality scrutinises creative works in mainstream cinema, independent films, television, video artworks and documentaries - especially those by marginalised artists - actively rewriting and reconfiguring how Hong Kong cinema and media are to be defined and located.