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The Lyon Terence
In The Lyon Terence Giulia Torello-Hill and Andrew J. Turner take an unprecedented interdisciplinary approach to map out the influence of late-antique and medieval commentary and iconographic traditions over this seminal edition of the plays of Terence, published in Lyon in 1493, and examine its legacy. The work had a profound impact on the way Terence’s plays were read and understood throughout the sixteenth century, but its influence has been poorly recognised in modern scholarship. The authors establish the pivotal role that this book, and its editor Badius, played in the revitalisation of the theoretical understanding of classical comedy and in the revival of the plays of Terence that foreshadowed the establishment of early modern theatre in Italy and France.
Humanistica Lovaniensia
Volume 54
The Beauty of Ugliness and the Ugliness of Beauty
Beauty and ugliness, two extremes that intersect through human experience, remain an inexhaustible source of creative inspiration and popular belief. In 'The Beauty of Ugliness and the Ugliness of Beauty: Materializing Monstrosity in the Middle Ages,' the editors aim to redefine the concept of the medieval monster by revisiting issues that have received little attention. This collection of five essays examines various topics, including the stigmatization of disability in clerical circles through canon law decretals, the duality of good and evil in the Latin world, the image of women in marriage contract negotiations, the interpretation of monsters as 'signs' or 'things,' and the evolving interpretations of medieval monsters in post-medieval contexts.
Encyclopedia of Renaissance Philosophy
Gives accurate and reliable summaries of the current state of research. It includes entries on philosophers, problems, terms, historical periods, subjects and the cultural context of Renaissance Philosophy. Furthermore, it covers Latin, Arabic, Jewish, Byzantine and vernacular philosophy, and includes entries on the cross-fertilization of these philosophical traditions. A unique feature of this encyclopedia is that it does not aim to define what Renaissance philosophy is, rather simply to cover the philosophy of the period between 1300 and 1650.
A Companion to John of Salisbury
The Companion to John of Salisbury is the first collective study of this major figure in the intellectual and political life of 12th-century Europe to appear for thirty years. Based on the latest research, thirteen contributions by leading experts in the field provide an overview of John of Salisbury’s place in the political debates that marked the reign of Henry II in England as well as of his place in the history of the Church. They also offer a detailed introduction to his philosophical works (Metalogicon, Entheticus), his political thought (Policraticus) and his writing of history (Historia pontificalis). Contributors include Julie Barrau, David Bloch, Karen Bollermann, Cédric Giraud, Christophe Grellard, Laure Hermand-Schebat, Frédérique Lachaud, Constant Mews, Clare Monagle, Cary Nederman, Ronald Pepin, Yves Sassier, and Sigbjørn Sønnesyn.
Humanistica Lovaniensia
Volume 60 Humanistica Lovaniensia: Journal of Neo-Latin Studies, published annually, is the leading journal in the field of Renaissance and modern Latin. As well as presenting articles on Neo-Latin topics, the journal is a major source for critical editions of Neo-Latin texts with translations and commentaries. Its systematic bibliography of Neo-Latin studies (Instrumentum bibliographicum Neolatinum), accompanied by critical notes, is the standard annual bibliography of publications in the field. The journal is fully indexed (names, mss., Neo-Latin neologisms).
Cristoforo Landino
In Cristoforo Landino: His Works and Thought Bruce McNair examines the writings, lectures and orations of Landino (1424-98), Renaissance Florence’s famous teacher of poetry and rhetoric. McNair studies Landino’s lecture notes, public orations, poetry, philosophical works and most popular commentaries to show how Landino’s allegorical interpretations of Virgil and Dante grew in complexity as he studied philosophy and theology and how he understood Dante’s Commedia as completing and surpassing Virgil’s Aeneid. McNair also shows how Landino draws upon a wide range of thinkers such as Aristotle, Plato, Aquinas, Ficino, Argyropoulos and Bessarion, and how he incorporates his increasing knowledge of Plato into a scholastic framework and is better considered as a Dantean than a Neoplatonist. See inside the book.
Aging Gracefully in the Renaissance
In Aging Gracefully in the Renaissance: Stories of Later Life from Petrarch to Montaigne Cynthia Skenazi explores a shift in attitudes towards aging and provides a historical perspective on a crucial problem of our time.
Italian Readers of Ovid from the Origins to Petrarch
The Latin poet Ovid continues to fascinate readers today. In Italian Readers of Ovid from the Origins to Petrarch, Julie Van Peteghem examines what drew medieval Italian writers to the Latin poet’s works, characters, and themes. While accounts of Ovid’s influence in Italy often start with Dante’s Divine Comedy, this book shows that mentions of Ovid are found in some of the earliest poems written in Italian, and remain a constant feature of Italian poetry over time. By situating the poetry of the Sicilians, Dante, Cino da Pistoia, and Petrarch within the rich and diverse history of reading, translating, and adapting Ovid’s works, Van Peteghem offers a novel account of the reception of Ovid in thirteenth- and fourteenth-century Italy.
Building the Canon through the Classics
Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classical authorities. The volume reshapes current debate on the notion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies.
