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To Covet Honour
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Ring Around the Maple
Ring Around the Maple is about the condition of children in Canada from roughly 1850 to 2000, a time during which “the modern” increasingly disrupted traditional ways. Authors Cynthia R. Comacchio and Neil Sutherland trace the lives of children over this “long century” with a view to synthesizing the rich interdisciplinary, often multi-disciplinary, literature that has emerged since the 1970s. Integrated into this synthesis is the authors’ new research into many, often seemingly disparate, archival and published primary sources. Emphasizing how “the child” and childhood are sociohistoric constructs, and employing age analytically and relationally, they discuss the constants and...
The Careerfree Life
Gilian Hemstock's Careerfree Life is bound to serve as an alternative for people sick of the notion of needing a career to be successful. The authors question the importance and validity of choosing a career-centric lifestyle, asserting that a person doesn't need a career to have an easier, financially simpler and even more enjoyable life.
Beyond Walls
A mainstay of Toronto’s theatrical landscape since 1968, Theatre Passe Muraille (which translates to ‘Theatre Without/Beyond Walls’) has focused on breaking down barriers—between actors and spectators, for example—while developing a populist aesthetic that has found resonance with both rural and urban audiences. In Beyond Walls, Peter Jobin considers the fledgling years of Canada’s longest running alternative theatre in Toronto. It is a roller coaster ride of soaring highs and crushing lows, from sell-out shows and innovative new ideas to morality squad arrests and financial crises. It documents the evolution of the theatre’s focus from its early interest in radical American theatrics to its later, Canadian nationalist direction. Jobin’s investigation shows that, by embracing diversity, collaboration and inclusivity, Theatre Passe Muraille has become a living and breathing representation of the city of Toronto and has helped to change the way Canadian audiences feel about Theatre. The book includes period photographs by Lionel Douglas and Bob Nasmith, and a foreword by dramaturge David Ferry.
