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Trisha Brown
  • Language: en

Trisha Brown

  • Type: Book
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  • Published: 2008
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  • Publisher: Unknown

Text by Peter Eleey, Philip Bither.

Abstract Resistance
  • Language: en
  • Pages: 98

Abstract Resistance

  • Categories: Art
  • Type: Book
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  • Published: 2010
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  • Publisher: Lulu.com

Published on the occasion of an exhibition held at the Walker Art Center. Minneapolis, Minn., Feb. 27-May 23, 2010.

VJAA
  • Language: en
  • Pages: 216

VJAA

Among the critical adulation that follows VJAA wherever they build, you'll find words like graceful, beautiful, sublime, quiet, classic, disciplined, and lightall suggesting the kind of alchemy that makes the work of this Minnesota-based firm so highly regarded. The magic they performmarrying the simple forms of modernism with the rich materials of their sites in a thoughtful framework that encourages social interaction and environmental responsibilityis carefully illustrated and explained in this monograph, which evokes the very qualities that make their work so seductive and compelling. A former furniture maker, principal Vincent James brings the woodworker's appreciation of materials, details, joinery, and structure to the firm's work, which here includes both their award-winning houses such as the Dayton and Type/Variant houses and institutional projects, such as the Minneapolis Rowing Club, Tulane University Center, and St. John's Abbey and Monastery Guesthouse. Along with an introductory essay by Hashim Sarkis, partners Vincent James and Jennifer Yoos provide a captivating and insightful portrait of their talented young firm.

Dan Graham: Films
  • Language: en
  • Pages: 42

Dan Graham: Films

  • Type: Book
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  • Published: 1976
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  • Publisher: Unknown

None

Studio Culture
  • Language: en

Studio Culture

It's a rare graphic designer who hasn't contemplated setting up his or her own studio. It's part of a designer's DNA to want to own and run a studio. Many do, while others spend a lifetime wondering if they should. But where does the ambitious designer go for advice and guidance? Who better than the founders of some of the best design studios in the world? Tony Brook and Adrian Shaughnessy conduct penetrating interviews with a group of visionary graphic designers who have formed and run landmark international design studios. In a series of candid and revealing interviews, manyof the leading figures in contemporary graphic design reveal the secrets behind creating a vibrant studio culture.

The Walworth Farce
  • Language: en
  • Pages: 93

The Walworth Farce

It’s eleven o’clock in the morning in a council flat on the Walworth Road in London. In two hours’ time, as is normal, three Irish men will have consumed six cans of Harp, fifteen crackers with spreadable cheese, ten pink biscuit wafers, and one oven-cooked chicken with a strange blue sauce. In two hours’ time, as is normal, five people will have been killed. A remarkable play about what can happen when we become stuck in the stories we tell about our lives. Visceral and tender, The Walworth Farce combines hilarious moments with shocking realism.

Non-Format
  • Language: en

Non-Format

Non-Format is a London-based design studio that has built a formidable international reputation with exceptional graphic design and illustrations that are strikingly innovative and fresh yet have a timelessness that goes beyond fleeting style trends. This monograph presents the full spectrum of their work, which ranges from delicate drawings for album covers to riveting advertisements for Coke and Nike, as well as pristine graphic design for publications such as Varoom or the UK music magazine The Wire.

East London Green Grid Primer
  • Language: en
  • Pages: 59

East London Green Grid Primer

  • Type: Book
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  • Published: 2006
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  • Publisher: Unknown

None

Photography, Anthropology and History
  • Language: en
  • Pages: 334

Photography, Anthropology and History

  • Type: Book
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  • Published: 2016-04-22
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  • Publisher: Routledge

Photography, Anthropology and History examines the complex historical relationship between photography and anthropology, and in particular the strong emergence of the contemporary relevance of historical images. Thematically organized, and focusing on the visual practices developed within anthropology as a discipline, this book brings together a range of contemporary and methodologically innovative approaches to the historical image within anthropology. Importantly, it also demonstrates the ongoing relevance of both the historical image and the notion of the archive to recent anthropological thought. As current research rethinks the relationship between photography and anthropology, this volume will serve as a stimulus to this new phase of research as an essential text and methodological reference point in any course that addresses the relationship between anthropology and visuality.