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Regents' Proceedings
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Queens of Afrobeat
In Queens of Afrobeat, the women of Afrobeat music--a unique blend of jazz, soul, highlife, and West African rhythms--are finally given the recognition they deserve. This extensive study takes a multifaceted view of the storied lives of the women behind Fela Kuti's activist music. Dotun Ayobade's wide-ranging research pulls from interviews with surviving queens, ethnographic narratives, the exploration of newspaper archives, and close readings of album covers, photographs, and promotional materials to help us see and understand the women who surrounded Fela Kuti on stage and in everyday life. Not only were these artists crucial performers and backup singers for Kuti's most important compositions, they also played key roles in his activism and campaigns of social protest against the Nigerian government in the 1970s. Drawing on previously untapped material, Queens of Afrobeat weaves together an intricate narrative of women's participation in popular music. The stories of these remarkable women transform and uniquely personalize our understanding of the politics and performance of one of the major modern musical traditions in Africa.
Annual Review of Jazz Studies 14
The Annual Review of Jazz Studies (ARJS) is a journal providing a forum for the ever expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, all volumes include feature articles, book reviews, and unpublished photographs. This 14th issue contains four intriguing articles that to some degree contravene accepted precepts of jazz orthodoxy. John Howland traces the connection between Duke Ellington's extended works and the "symphonic jazz" model of the 1920s as exemplified by Paul Whiteman and his chief arranger, Ferde Grof . Horace J. Maxile Jr. takes an unfashionably broad perspective of Charles...
Arrest the Music!
A bold and energetic close-up on one of Africa's most popular and controversial stars.
Fela
Musician, political critic, and hedonist, international superstar Fela Anikulapo-Kuti created a sensation throughout his career. In his own country of Nigeria he was simultaneously adulated and loathed, often by the same people at the same time. His outspoken political views and advocacy of marijuana smoking and sexual promiscuity offended many, even as his musical brilliance enthralled them. In his creation of afrobeat, he melded African traditions with African American and Afro-Caribbean influences to revolutionize world music. Although harassed, beaten, and jailed by Nigerian authorities, he continued his outspoken and derisive criticism of political corruption at home and economic exploi...
Philadelphia Jazz
Many scholars have traced improvised music in Philadelphia back through ragtime to the prominent Black orchestras that played quadrilles and marches for high-society dances in the 19th century, with one of the most famous led by Philadelphian Francis "Frank" Johnson. The Black migrations from the South to the North after World War I carried performers and their music to Chicago; New York City; Washington, DC; and Philadelphia. Musicians like Dizzy Gillespie and John Coltrane came from the Carolinas and started careers in Philadelphia, while homegrown talent from the city's multiethnic neighborhoods--including violinist Joe Venuti, saxophonists Jimmy Heath and Charlie Ventura, organists Shirley Scott and Trudy Pitts, and pianist McCoy Tyner--made the world take notice of the musical gifts that contributed to the celebrated Philly sound. Philadelphia Jazz celebrates the immense contributions that the city's jazz community has made to America's true classical music.
The Life that I Live
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Canciones populares y literatura de África Oriental
Este estudio es un replanteamiento de la relación entre canciones y literatura en África oriental. Se examinan, en términos comparativos, las obras literarias y musicales de esta parte del continente con el fin de determinar y describir los caminos a partir de los cuales tales formas de la expresión creativa reflejan y transforman caminos prevalecientes y medios de formación de identidad de las personas cuyas vidas se extienden a través de varias "fronteras" y que desarrollan sentidos "superculturales" de sí mismos. El autor se basa en una extensa investigación de campo, así como en una multitud de entrevistas. La lectura atenta de las canciones y la literatura hace de este libro un estudio convincente para estudiantes de música y literatura africanas, y el análisis de las identidades africanas puede ser realmente para los estudiosos del nacionalismo tanto en África como en el mundo.
