You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The book is based on documentary and biographical materials that have only recently become available. As the narrative follows the Institute for Social Research from Frankfurt am Main to Geneva, New York, and Los Angeles, and then back to Frankfurt, Wiggershaus continually ties the evolution of the school to the changing intellectual and political contexts in which it operated.
In this critically acclaimed biography, Franz Schulze probes the private and professional life of one of the most famous architects and architectural critics of the twentieth century. The only child of a wealthy Midwestern family, Philip Johnson was a millionaire by the time he graduated from Harvard, and in 1932 he helped stage the historic International Style exhibition at the Museum of Modern Art. A patron of the arts and a political activists who flirted with the politics of Hitler, Huey Long, and Father Coughlin, he went on to create controversial and historical structures such as the Glass House, the Roofless Church, the AT & T Building, the Crystal Cathedral, and many more. Johnson's ...
None
None
Contains the reports of state departments and officials for the preceding fiscal biennium.
The story of Joseph Gorres's life is in many ways the story of German political culture in the revolutionary epoch. Indeed, his dates, 1776-1848, frame the "Age of Revolution" and, like the age in which he lived, Gorres's life was marked by great upheavals. One of the most prominent German journalists of his age, Gorres pioneered political journalism, or what was called Publizistik in Germany. He was a founder of political Catholicism, and was in no small part responsible for the fact that Germany eventually developed a party based on the Catholic confession. Gorres was also an extraordinarily prolific scholar with an almost dizzying range of interests. His life provides a window into an inc...
Shafer's study challenges the conventional historical assumption that British feature films during the Thirties were mostly oriented to the middle-class. Instead, he makes the critical distinction between films intended for West End and international circulation and those intended primarily for domestic, working-class audiences. Far from being alientated by a 'middle-class institution', working men and women flocked to see pictures featuring such music-hall luminaries as Gracie Fields and George Formby.
Contains the reports of state departments and officials for the preceding fiscal biennium.
Who hasn't been stirred by the strains of Beethoven's Ninth Symphony? That's a good question, claims Esteban Buch. German nationalists and French republicans, communists and Catholics have all, in the course of history, embraced the piece. It was performed under the direction of Leonard Bernstein at a concert to mark the fall of the Berlin Wall, yet it also serves as a ghastly and ironic leitmotif in Stanley Kubrick's A Clockwork Orange. Hitler celebrated his birthdays with it, and the government of Rhodesia made it their anthem. And played in German concentration camps by the imprisoned, it also figured prominently at Mitterand's 1981 investiture. In his remarkable history of one of the mos...