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AskART.com presents a biographical sketch of American artist Franz Walter Bergman (1898-1977). Additional information for Bergman includes a bibliography of publications about the artist, museum holdings, current exhibits, etc. Auction records, including highest prices, are available only to AskART members.
Democracy in Europe has been a recent phenomenon. Only in the wake of World War II were democratic frameworks secured, and, even then, it was decades before democracy truly blanketed the continent. Neither given nor granted, democracy requires conflict, often violent confrontations, and challenges to the established political order. In Europe, Geoff Eley convincingly shows, democracy did not evolve organically out of a natural consensus, the achievement of prosperity, or the negative cement of the Cold War. Rather, it was painstakingly crafted, continually expanded, and doggedly defended by varying constellations of socialist, feminist, Communist, and other radical movements that originally ...
Filled with stunning 18th- and 19th-century illustrations of plants and other living creatures, this book is the first to bring together the life and art of the three Bauer Brothers, who came to be some of the most celebrated botanical artists of all time. As artists, Joseph, Franz and Ferdinand Bauer were independently successful: Joseph as court painter to the Prince of Lichtenstein; Franz (later Francis) was employed at Kew Gardens as the "Botanick Painter to His Majesty"; and Ferdinand's seminal collection of 1500 paintings created from sketches he made traveling in and around Australia is the first detailed account of the natural history of that continent. Drawn from all known worldwide...
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"After the war, the German government investigated 1,770 former Einsatzgruppen members and brought 136 of these men to trial. Helmut Langerbein has systematically examined the trial evidence in search of characteristics shared by these mass murderers. Using a much broader data base than earlier studies, Langerbein identifies a number of factors that could explain their actions, illustrating each with a particular person or group of officers." "Given the extent of its data, its detailed analysis and its careful conclusions, Hitler's Death Squads: The Logic of Mass Murder will push historians and psychologists toward a reappraisal of the Nazi killing machine, the behavior of the men behind the battle lines, and the overwhelming power of circumstances."--Jacket.
Many books focus on issues of Holocaust representation, but few address why the Holocaust in particular poses such a representational problem. David Patterson draws from Emmanuel Levinas's contention that the Good cannot be represented. He argues that the assault on the Good is equally nonrepresentable and this nonrepresentable aspect of the Holocaust is its distinguishing feature. Utilizing Jewish religious thought, Patterson examines how the literary word expresses the ineffable and how the photographic image manifests the invisible. Where the Holocaust is concerned, representation is a matter not of imagination but of ethical implication, not of what it was like but of what must be done. Ultimately Patterson provides a deeper understanding of why the Holocaust itself is indefinable—not only as an evil but also as a fundamental assault on the very categories of good and evil affirmed over centuries of Jewish teaching and testimony.