You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This is the first extensive biography of the influential German mathematician, Peter Gustav Lejeune Dirichlet (1805 – 1859). Dirichlet made major contributions to number theory in addition to clarifying concepts such as the representation of functions as series, the theory of convergence, and potential theory. His mathematical methodology was explicitly based on a thorough knowledge of the work of his predecessors and his belief in the underlying unity of the branches of mathematics. This unified approach is exemplified in a paper that effectively launched the field of analytic number theory. The same orientation pervaded his teaching, which had a profound influence on the work of many mathematicians of subsequent generations. Chapters dealing with his mathematical work alternate with biographical chapters that place Dirichlet’s life and those of some of his notable associates in the context of the political, social, and artistic culture of the period. This book will appeal not only to mathematicians but also to historians of mathematics and sciences, and readers interested in the cultural and intellectual history of the nineteenth century.
Fanny Hensel (1805-1847) was an extraordinary musician and astute observer of European culture. Previously she was known mainly as the granddaughter of philosopher Moses Mendelssohn and the sister of composer Felix Mendelssohn Bartholdy, yet Hensel is now recognized as the leading woman composer of the nineteenth century. She produced well over four hundred compositions and excelled in short, lyrical piano pieces and songs of epigrammatic intensity, but the expressive range of her art also accommodated challenging virtuoso piano and chamber works, orchestral music, and cantatas written in imitation of J.S. Bach. Her gender and position in society restricted her from opportunities afforded he...
Focusing on the core composers of the 19th century, this text provides an overview of the repertoire & keyboard technique of the era. This new edition includes a chapter on women composers, in particular Fanny Hensel & Clara Schumann.
The Roman army represented an important social and organizational reference model for the Romano-Barbarian societies, which progressively replaced the Western Empire in the transition from Late Antiquity to Early Middle Ages. The great flexibility of the decision-making and organizational solutions used by the Roman army allowed the ‘new lords’ to readapt them and thus maintain power in early medieval Europe for a long time. From a perspective ranging from political, social and economic history to law, anthropology, and linguistic, this book demonstrates how interesting and fruitful the investigation of this specific cultural imprint can be in order to gain a better understanding of the origins of the civilization that arouse after the fall of the Roman world. Contributors are Francesco Borri, Fabio Botta, Francesco Castagnino, Stefan Esders, Carla Falluomin, Stefano Gasparri, Wolfgang Haubrichs, Soazick Kerneis, Luca Loschiavo, Valerio Marotta, Esperanza Osaba, Walter Pohl, Jean-Pierre Poly, Pierfrancesco Porena, Iolanda Ruggiero, Andrea Trisciuoglio, Andrea A. Verardi, and Ian Wood.
Fanny Mendelssohn Hensel (1805-47), pianist and composer, maintained a prolific and witty correspondence with her younger brother Felix over the course of approximately 25 years, which is here presented in English translation, with the original German for reference. As the leader of a vibrant salon, Hensel deploys her critical prowess to describe Berlin musical life, including its conservative institutions and personalities, as well as to evaluate Felix's works-in-progress in detail. We also learn about Hensel's own compositions, her attitudes toward herself as a composer, and the significance of Felix's views on the formation of those attitudes. Hensel's letters provide a fascinating glimps...
None
None